Anne-Sylvie Barthel-Calvet: Performer’s Gesture and Compositional Process in Xenakis’ Solo Pieces 28:45

  • Saison 2015-2016 - None - None > TCPM 2015 : Analyser les processus de création musicale / Tracking the Creative Process in Music
  • Oct. 8, 2015
  • Program note: TCPM 2015
Participants
  • Anne-Sylvie Barthel-Calvet (conférencier)

Simultaneous translation: Marie-Louise Diomède

TCPM 2015 : Analyser les processus de création musicale / Tracking the Creative Process in Music

From the same archive

Introduction (FR) 14:35

Opening address (English Version) 14:35

Thomas Ahrend: Versions, Variants, and the performatives of the score: Traces of performances in the texts of Anton Webern’s Music 31:19

Giovanni Cestino: Investigating performative approaches through the analysis of ‘Performing Scores’: Cathy Berberian sings ‘Circles’ 30:16

William Kinderman: 'Feeling New Strength': Beethoven's Ninth Symphony and Quartet in A Minor, Op. 132 29:03

Francesco Del Bravo: Modes of collision: Alberto Favara in the process of transcribing Sicilian folk songs. 28:35

Federica Rovelli: The genesis of Beethoven’s Piano Sonata Op. 101: ‘Lost sketches’ and ‘Working autograph’ 30:43

Bianca Temes: Ligeti and Romanian folklore: Citation, palimpsest and pastiche as creative tools. 24:19

Georgina Born: What is it to analyse the creative process in music? 01:12:49

Georgina Born : Qu’est-ce qu’analyser les processus de création musicale ? 01:12:40

Alexander Cannon: Metaphors of Creative Practice: Navigating Roots and Foliage in Southern Vietnamese Traditional Music 27:01

Valentina Bertolani: No score, hundreds of sketches: Mario Bertoncini’s Spazio-Tempo 25:31

Anne-Sylvie Barthel-Calvet : La place du geste de l’interprète dans le processus compositionnel : le cas des œuvres solistiques de Xenakis 28:43

Anne-Sylvie Barthel-Calvet: Performer’s Gesture and Compositional Process in Xenakis’ Solo Pieces 28:45

Zubin Kanga: Sounding Bodies: Embodiment and Gesture in the Collaborative Creation and Realisation of works for Piano and Electronics 28:12

Tara Browner: Creativity within Formal Structures: Two American Indian Song Repertories 29:11

Sculpting the Air (2014-15) de Jesper Nordin : l’expérimentation d’une direction d’orchestre techno-augmentée 33:14

Jesper Nordin’s ‘Sculpting the Air’ (2014-5): An Experiment in Technologically-Augmented Orchestra Conducting 33:11

Créativité et design sonore : étude de cas 29:06

Creativity and Sound Design: A Case Study 29:00

La pratique de la direction d’orchestre au prisme du genre 01:48:50

Gender and the Practice of Conducting 01:49:06