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Giovanni Cestino: Investigating performative approaches through the analysis of ‘Performing Scores’: Cathy Berberian sings ‘Circles’ 30:16

 Oct. 8, 2015
In the rich landscape of studies about performance as a creative process, the investigation of such preliminary phases that go before the performance itself (i.e. the study process or the rehearsal pr...

Michael Clarke and Frédéric Dufeu: Tracking the creative process in Trevor Wishart’s Imago 26:25

 Oct. 9, 2015
Often it may seem that electroacoustic music provides fewer resources and less evidence for musicologists to work on when investigating creative processes. Electroacoustic works are produced in the st...

Alain Bonardi et Olivier Baudry : Enquête sur les frequency-shifters dans les œuvres mixtes 27:08

 Oct. 9, 2015
1. Introduction L’analyse des processus de création musicale ne cesse d’élargir son domaine d’action vers les musiques faisant appel aux moyens électroniques et informatiques. Les contributions r...

Isabelle Héroux and Marie-Soleil Fortier: Understanding the creative process in the shaping of an interpretation by eight expert musicians 28:47

 Oct. 9, 2015
En psychologie cognitive, plusieurs recherches auprès de musiciens experts ont permis de définir ce qui constitue des répétitions efficaces (Parncuttt and McPherson, 2002; Jørgensen and Lehmann 19...

Ingrid Pustijanac - Analysing improvisation: A composer-improviser role in the Gruppo di Improvvisazione Nuova Consonanza and New Phonic Art Experience 33:02

 Oct. 10, 2015
This paper will present the core role of improvisation groups in the late Sixties / beginning of the Seventies in the process of building the new status of music material in the post-serial context. A...

Baptiste Bacot: Gestural interfaces and creativity in electronic music: A comparative analysis 31:55

 Oct. 9, 2015
When playing an acoustic instrument, the musician applies force from his body to the instrument’s exciter, which is amplified by the resonator. Except for vocal music and electronic music, the hands o...

Sean Williams: Technical influence and physical constraint in the realisation of Gesang der Jünglinge 30:42

 Oct. 9, 2015
Since the digitization of the realization tapes of Karlheinz Stockhausen’s Gesang der Jünglinge (Stockhausen, 1955-56) and their availability for research from 2012 it has been possible to gain new i...

Miloš Zapletal - Between sports and ideology: Janáček’s Sinfonietta and Petrželka’s Štafeta 26:39

 Oct. 10, 2015
The paper is an attempt for reconstruction of coding (creative) and decoding (reading) process, both dependent on temporary collective imaginative patterns, which funded the historic-ontological statu...

Talita Takeda: How are creation networks configured in contemporary Brazilian opera? 26:00

 Oct. 10, 2015
The present conference aims to study the creative trajectory of the Brazilian contemporary opera confection and also how the creation networks of opera work, within a communicational and semiotical ap...

Georgina Born : Qu’est-ce qu’analyser les processus de création musicale ? 01:12:40

 Oct. 8, 2015
Traduction simultanée : Marie-Louise Diomède
In this paper I propose that it is time to take stock of several recent important directions in the analysis of the creative process in music. I refer to work associated with the aim of restoring the ...

Creativity and Sound Design: A Case Study 29:00

 Oct. 8, 2015
Simultaneous translation: Marie-Louise Diomède

Gender and the Practice of Conducting 01:49:06

 Oct. 8, 2015
On the occasion of the publication of "L’orchestre au travail. Interactions, négociations, coopérations" (Ravet, 2015) which is based on the observation of several conductors and several ensembles in ...
Simultaneous translation: Marie-Louise Diomède

Nicholas Cook: Researching creative performance: a report from CMPCP 55:02

 Oct. 10, 2015
From 2004 to 2015 two research centres funded by the (UK) Arts and Humanities Research Council – which represented successive stages of the same project – provided a focus for research in musical perf...

François Delecluse : Comment Debussy réinvente-t-il les opérateurs de la modernité ? Modèles, figures et modernité dans la composition de la Sonate pour violoncelle et piano de Claude Debussy: l’exemple de la «Sérénade» (VF) 30:35

 Oct. 9, 2015
La dialectique, bien connue dans la critique génétique, entre la reproduction de modèles pré- composés et la transgression de ces modèles est un angle d’approche qui permet de se demander commen...

Julie Mansion-Vaquié: Creating and Re-Creating: What Remediation Entails (GB) 19:43

 Oct. 9, 2015
Dans le champ des musiques actuelles et de la chanson, coexistent deux types de supports : le disque (ou version phonographique) et le concert (ou version scénique). Si ces supports cohabitent, leur ...
Simultaneous translation Marie-Louise Diomède

Michael Dias: The Application of Foundational Principles of Critique. Génétique to the Analysis of Music Sketches: Problems and Solutions 32:42

 Oct. 10, 2015
The French literary criticism movement, critique génétique, is an attractive interdisciplinary model for the study of music sketches because of its staggering amount of varied scholarship published ...

Invited talk 2: Nicholas Cook, Researching creative performance: a report from CMPCP 55:02

 Oct. 10, 2015
From 2004 to 2015 two research centres funded by the (UK) Arts and Humanities Research Council – which represented successive stages of the same project – provided a focus for research in musical perf...

Thomas Ahrend: Versions, Variants, and the performatives of the score: Traces of performances in the texts of Anton Webern’s Music 31:19

 Oct. 8, 2015
Most research on the creative process of Anton Webern’s music has focused on the sketches, thus emphasizing the compositional process in the narrower sense. Less attention has been paid to the fact th...

Bianca Temes: Ligeti and Romanian folklore: Citation, palimpsest and pastiche as creative tools. 24:19

 Oct. 8, 2015
The paper aims to gain fresh perspectives and to challenge standard thinking on Ligeti’s appropriation of Romanian folk music, drawing on very recent findings at the Sacher archives. By absorbing Roma...

Event types

  • Séminaire / Conférence (82)

Media type

Performance or talk

  • Talk (82)

Year

  • 2015 (82)