Mike Ford. Processes of Spectralization: From Josquin’s Missa ‘L’homme armé’ Super Voces Musicales to Haas’s Tria ex Uno 26:12

Participants
  • Mike Ford (conférencier)

Spectralismes : colloque international - jour 3

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Lasse Thoresen. Spectral Mergers 25:26

Clara Maida. Pour une approche 'nano-spectrale' de la composition musicale 29:56

Julian Anderson. Spectral centrality: proposals for the introduction of new formal harmonic structures based on discoveries in spectral composition and psycho-acoustics 27:26

Silvia Rosani. The roots and reasons of some composers' spectra 32:33

Garth Knox (viola) in conversation with Martin Suckling 57:17

Julie Delisle. Timbre et orchestration dans Jour, contre-jour (1979) de Gérard Grisey 26:23

Candida Felici. The roots and the clouds: aller-retour from axial harmonic fields to spectra, and from rhythm to timbre in Jonathan Harvey’s One Evening 28:58

Alessandro Olto & Laurent Pottier. Comment Fausto Romitelli intègre-t-il les techniques et les démarches spectrales dans l’écriture de ses œuvres ? Le cas d’EnTrance (1996) 34:59

David Kopp. Reimaging the familiar: Fineberg's Veils 29:21

Claude Delangle and Antonin Pommel (saxophone) in conversation with François-Xavier Féron. 01:17:56

Luca Guidarini. Transtextuality techniques and spectral manipulation in Fausto Romitelli’s late compositions 29:13

Mike Ford. Processes of Spectralization: From Josquin’s Missa ‘L’homme armé’ Super Voces Musicales to Haas’s Tria ex Uno 26:12

Benjamin Lassauzet. La conquête spatiale du spectre harmonique comme métaphore musicale de l’avènement du surhomme nietzschéen 24:56

Nicolas Lira. Analyzing Conventional and Novel Features of Spectral Music in Jean-Claude Risset’s Voilements and Saxatile, for Saxophone and Fixed Media 28:13

Elizabeth Hoffman. What Sort of Virtual Spaces are Spectral Spaces? 31:41

Michael Francis Duch. The Virtuoso Listener: On Spectral Music and Listening 26:02