Katherine Balch & Mike Ford. Crossing the Threshold: Textual and Musical Interactions in Gérard Grisey’s Quatre Chants pour franchir le seuil 24:44

Participants
  • Katherine Balch (conférencier)
  • Mike Ford (conférencier)

Spectralismes : colloque international - jour 2

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Morgan Rich. Looking into the heart of light: Metaphors of Light in Kaija Saariaho’s Notes on Light 25:08

Frances-Marie Uitti (cello) in conversation with Sharon Kanach 58:57

Joshua Banks Mailman. Process philosophy overcoming itself: Modeling Grisey’s Vortex Temporum (1994-96) 28:00

Katherine Balch & Mike Ford. Crossing the Threshold: Textual and Musical Interactions in Gérard Grisey’s Quatre Chants pour franchir le seuil 24:44

Lukas Haselböck. Structure and Perception in the Music of Gérard Grisey 28:39

Fanny Vicens, Jean-Etienne Sotty (Duo XAMP) and Pascale Criton in conversation with Robert Hasegawa 01:00:26

Dimitris Exarchos. The sense of music in Scelsi’s compositional thinking 32:43

Liam Cagney. "Et le nuage est spectre, et le spectre est nuage": Murail, Poetics, Symbolism 23:20

Damien Bonnec. Ambiguïté, trompe-l’oreille et subjectivité: Michaël Levinas contre une tendance du premier spectralisme 34:04

Daniel Fox. Shifting the Plane of Audition to Analyze the Role of Acoustic Resonance in the Works of Morton Feldman and Alvin Lucier 29:30

Jeffrey E. Boyd, Martin Ritter & Friedemann Sallis. A Spatio-Timbral Analysis of Keith Hamel’s Touch for piano and interactive electronics (2012): A Contribution to Sound Field Studies in Musicology 27:05

Robert Adlington. Metaphors for changing sound in spectral music: the potential of the IRiMaS project 35:15

Yigit Kolat. Entropy and the Anatomy of Time: Composing with Spectral Entropy 27:13

Timothy Bausch. Spectral Atoms: An Expanded Approach to the Analysis of Spectral Music 28:18

James Donaldson ...et une réinvention mélodique: Melody and Liminality in Spectral Music 27:52