Vous constatez une erreur ?
NaN:NaN
00:00
This presentation will focus on the creation of a performance score with Audiosculpt.
As a composer/performer, I believe music notation needs to convey the composer's ideas and intentions efficiently, leading the performer(s) to an accurate understanding of the structures and leaving room for a creative interpretation. For such purpose, I have been using the sonogram and waveform analysis in Audiosculpt as structural parts of my scores.
I deem such graphic representation to be rational and detailed but also intuitive since the visual elements directly correspond to the way we perceive it aurally. Therefore, to read and understand them, only a minimal effort is required to learn Audiosculpt's graphic conventions, which is an advantage if compared with works like Ligeti's Artikulation or Carl Bergstroem-Nielsen's aural scores.
In the presentation, I will describe my notation system based on sound phenomena representation used in my compositions Ricercare II (for alto sax) and IV (for soprano), both with fixed media (multichannel tape) and live electronics. Furthermore, I will illustrate my approach to guided improvisation through a special audio track created for practice purposes.
Marco Bidin is a composer, organist and harpsichord player, currently working as a Lecturer for the Studio for Electronic Music at the HMDK Stuttgart.
After graduating in Organ, he studied Early Music in Trossingen and Contemporary Music performance in Stuttgart, where he recently completed the Concert Exam in Composition and the Certificate of Advanced Studies in Computer Music under the guidance of Prof. Marco Stroppa.
He lectured, gave courses and performed as a soloist in Europe and Asia, and his compositions have been performed in Germany, France, Portugal, Italy, Canada, South Korea, Japan and China.
5 mars 2020 31 min
Tweakable is an audio-visual programming environment that runs in the browser. Users can build an algorithmic system by selecting components and connecting them together. Source data travels between components. They are transformed as param
5 mars 2020 29 min
theoneandthemany is a play for one performer and one table. By connecting a motion sensor, the table becomes a giant knob. By turning and tilting the table a text is played back and forth. What allows the performer to play the text like a r
5 mars 2020 23 min
For some time now I have been dealing with a mixture of contemporary music and video art.This type of music has a long tradition in Germany and can be shown both in the context of a new music festival, but also at media art festivals or in
5 mars 2020 29 min
FAKE (for piano and Antescofo) examines the idea of authenticity in musical performance by presenting an ambiguous relationship between a ârealâ live piano performance and a parallel computer-based performance. FAKE uses anticipatory score
5 mars 2020 29 min
Voir et Ă©couter dans un dĂŽme audiovisuel inclinĂ© Ă 45 degrĂ©s ou sont rassemblĂ©s vision stĂ©rĂ©oscopique sphĂ©rique et sons ambisoniques est une Ă©volution technologique majeure. Sur le plan perceptif on peut noter la sensation dâun rendu spati
5 mars 2020 29 min
Embodme designs interfaces and expressive electronic musical instruments. Our ambition is to make electronic music (live or in studio) a human and expressive experience, moreover, to reconcile the human and the digital. This is precisely th
5 mars 2020 28 min
My research is focused on developing new methods of performer agency in live electronic music and utilising audio-visual symbiosis to enhance audience engagement. I do this through the design of new gestural software instruments and the dev
5 mars 2020 26 min
The Chowndolo is an Interactive Sonic Sculpture based on a magnetic pendulum whose trajectories are altered by magnets placed underneath the device. This creates unstable patterns of oscillation which are translated into sound. The magnetic
5 mars 2020 31 min
"At iZotope, weâre obsessed with great sound. Our intelligent audio technology helps musicians, music producers, and audio post engineers focus on their craft rather than the tech behind it. We design award-winning software, plug-ins, hardw
5 mars 2020 53 min
Vous constatez une erreur ?
1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 Ă 19h
Fermé le samedi et le dimanche
HĂŽtel de Ville, Rambuteau, ChĂątelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
Copyright © 2022 Ircam. All rights reserved.