The setup and the execution of the electroacoustic part of this work requires a Computer Music Designer (Max expert).

Version Information

Performance date
July 21, 2012
Documentation date
May 13, 2015
Version
briançon-2012
Status
valid
Validation date
October 6, 2017
Realisation
  • David Poissonnier (Sound engineer)
  • Frank Rossi (Sound engineer)
Length
35 min
Comment
The electronic part of "Les Chants de l'amour" is a quadraphonic tape.
In order to synchronize the tape with the singers, the conductor should visualize the Time Code.
For the sections where the synchronization should be more precise, a click track is required.

We provide here a ProTools session with the 4 channels sound-files, Time Code and audio click-track.
This session can be easily adapted to any other audio software (such as Digital Performer, Ableton Live or Max).

Other Versions

2020
valid
March 29, 2021

2019 Version
in_progress
March 22, 2019

2018 Version
in_progress
November 16, 2018

Meije 2017
in_progress
October 6, 2017

transfert_mustica_ftp
archived
April 14, 2010

Detailed Staff

Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.

Electronic Equipment List

Computer Music Equipment

1 Sound Board
Sound Board (generic)
1 MacBook Pro
Apple Laptops (Apple)
1 ProTools
Music Software (Digidesign)
1 Time Code Reader
Time Code Reader (generic)

Audio Equipment

1 Mixing Console
Mixing Console (generic) - 20 inputs, 4 bus, LR, 6 aux
4 Loudspeaker
Loudspeakers (generic) - with amplifiers, controllers and speakers cables (1 to 4) type D&B C690 or C7 or equivalent (MSL2 Meyer, MPB600 Amadeus, etc.)
12 Microphone
Microphone (generic) - amplification of the choir : type DPA 4065 or KM140 Neumann or equivalent
2 subwoofer
Subwoofers (generic)
1 ear-monitor
Headphones (generic)
1 Reverberation Processor
Reverberation (generic)

Downloads

transfert_mustica_ftp

Manuel Poletti

comment

transfert_mustica_ftp

2.64 Go


Instructions

Audio setup

audio setup

Loudspeaker setup

Loudspeakers 3 and 4 were originally at the places 3* and 4* (rear of the hall) but they can be placed behind the singers (on stage) 

ProTools Session

This session runs at 48 kHz.

protools


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