The setup and the execution of the electroacoustic part of this work requires a Computer Music Designer (Max expert).

Version Information

Documentation date
18 avril 2024
Version
Sevilla_Zahir ensemble_2022
Status
valid
Validation date
20 mai 2024
Documentalist
yann brecy (yann.brecy@ircam.fr)
Length
45 min
Upgrade motivation
Documentation of the 2022 revision

Other Versions

Manifeste 20211 juillet 2021

musica_sep_201028 septembre 2010

creation18 octobre 2009

Detailed Staff

Soloist
solo bass voice, double bass

bass clarinet, tubax, soprano saxophone, bassoon, contrabassoon, horn, trombone, tuba, 2 percussionists, piano, 4 cellos

Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.

Channel Details

Number of input channels
2
Number of output channels
16

Electronic Equipment List

Computer Music Equipment

1 BCF 2000
MIDI Mixer (Behringer)
1 Sound Board
Sound Board (generic) - (RME Fireface 800)
1 Pedal
Pedal (generic) - optional, for conductor
1 iPad
Tablets (Apple) - optional, for triggering events with MiraWeb
1 Ircam Spat
Library (Ircam) - Spat 5
1 Mira
Library (Cycling74) - optional
1 Max 8
Max (Cycling74) - in Rosetta Mode

Audio Equipment

8 Loudspeaker
Loudspeakers (generic)
4 subwoofer
Subwoofers (generic) - 2 (+ 2 optional)

Downloads

Simulation

721.36 Mo

Patch_IntroTenebres_Cendo_2022

2.53 Go

Score_IntroTenebres_Cendo_2022

135.46 Mo

Technical_Rider_IntroTenebres_Cendo_2022

2.18 Mo

Console setup

343.41 Ko


Instructions

This patch was made originally made by Greg Beller (IRCAM), re-adapted for 64bit and Spat5 in 2021 by Joao Svidzinski (IRCAM).

This a a revision of this version in 2022 for a concert in Sevilla with the Zahir ensemble (November 2022) by Max Bruckert.

General Setup

Audio setup

Two inputs :

  • adc 1 : Voice
  • adc 2 : Double bass

16 outputs :

  • dac 1 to 8 : Live electronics for surround setup
  • dac 9 to 16 : Soundfiles for surround setup

DSP Status Options

Beware this patch is initialised to be set at I/O vector size 128 and Signal Vector size 64
Overdrive On
Audio Interrupt Off

Midi Setup

Midi setup
Use a BCF-2000 to control the treatments levels.

Sliders:

  • Control 1 [ctlin 1 1] = Baritone input treatements level in dB
  • Control 2 [ctlin 2 1] = Double bass input treatements level in dB
  • Control 7 [ctlin 7 1] = Samples level in dB
  • Control 8 [ctlin 8 1] = Treatments level in dB

Check “Midi I/O” if you need to hook up pedal for triggering.

A MiraWeb interface is there with the “MIRA” button for mixing outputs and triggering events

Software installation

  • Download Patch_IntroTenebres_Cendo_2022.dmg.
  • Mount the disk image and copy its contents in a folder named Patch_IntroTenebres_Cendo_2022
  • In Max 8, choose …/Patch_IntroTenebres_Cendo_2022 in option > File preferences.
  • Check the Audio status in option > Audio Status.
  • Close max and open IntroTenebres_Cendo_2022.maxpat

Initialization routine

Patch_IntroTenebres_Cendo_2021 requires spat 5. Download and install it.

Check the DSP status.
Check the Midi controller input
Initalize (reset and init buttons ).
Turn on DSP.

System calibration and tests

The simulation files could be used to test the setup before the rehearsal.

Patch presentation

main_window
Main Patch and Event window

mira
Mira Interface for mixing and triggering

Complete mixing interface

Performance notes

Beware that this patch needs two persons to trigger events. It’s asynchronous ! Pedal numbers are not the same for each one.

1- Conductor on stage or another person in the soundbooth == for soundfiles
2- a person in the soundbooth = Live electronics.

There still is a synchronous attempt in the main patch but seems to be a little buggy. We chose to return to the original system developed for the creation.
Live electronics applied on the voice are cued with the “Live Event” system and go out from the Live Electronics Master
Live electronics applied on the doublebass are cued with the “Sfile Event” system and go out from the Live Electronics Master

For readable purposes I made a Mira patch that could be an “in between” solution to that  One person triggering both in the sound booth.

Check out Midi I/O if you need to hook two midi controllers for triggering

When rehearsing, please beware that Live events (the voice and Cb entrances) are sometimes opened in a previous Event, so jumping back and forth can be a little tricky. Check out the EVENTS window if you need more info. Sometimes Events auto-stop…


Updated at

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