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Séminaire / Conférence
Résonances 2004 - 2004-10-13 - 2004-10-22 > Conférence internationale "Sound and Music Computing 2004" - 2004-10-20 - 2004-10-22 > Troisième journée
Oct. 22, 2004
Ircam, Paris
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Troisième journée - 2004-10-22 - 2004-10-22
From the same archive
Intro
00:32
Pattern anchoring, identity and signatures in sound, time and space
22:07
Interactively determined generative sound design for sensate environments
27:03
Strategies for continuous pitch and amplitude tracking in realtime inter-active improvisation software
23:04
Improvising computer music : an approach
18:55
Etheraction : playing a musical piece using graphical interfaces
22:44
On onsets on-the-fly :real-time event segmentation and categorisation as a compositional effect
22:00
A real-time beat tracker for unrestricted audio signals
21:29
Remerciements
05:21
Three-dimensional gestural controller based on eyecon motion capture
18:01
Expressive gestural control of sound and visual output in multimodal inter-active systems
19:41
Gestural control of singing voice, a musical instrument
18:02
Developing a non-visual output device for musical performers
16:49
Expressiveness detection of musical performances in the kinematics energy space
19:52
Understanding expressive transformations in saxophone jazz performances using inductive machine learning
15:48
Intro
00:23
Composing in the flesh : perceptually-informed harmonic syntax
25:51
Intro
00:20
Tying semantic labels to computational descriptors of similar timbres
19:32
Intro
00:19
Physical modeling of impacts : theory and experiments on contact time and spectral centroid
16:21
Intro
00:14
Physical modeling for pure data (PMPD) and real-time interaction with an audio synthesis
18:24
Remerciements
00:52