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Bibliographie sélective

  • William W. AUSTIN, « Aaron Copland », Twentieth-Century American Masters, New York, The New Grove, W.W. Norton & Company, 1987, pp. 183-212.
  • Arthur BERGER, Aaron Copland, New York, Oxford University Press, 1953.
  • Neil BUTTERWORTH, The Music of Aaron Copland, London, Toccata Press, 1985. New York, Universe Books, 1986.
  • Theodore CHANLER, « Aaron Copland », American Composers on American Music, Henry Cowell (sous la dir. de), Stanford, CT, 1933. New York, F. Ungar, 1962, pp. 49-56.
  • Edward T. CONE, « Conversation with Aaron Copland », Perspectives of New Music, 6.2, 1968, pp. 57-72.
  • Elizabeth B. CRIST, Music for the Common Man: Aaron Copland During the Depression and War, Oxford, Oxford University Press, 2005.
  • Aaron COPLAND, Copland on Music, New York, Doubleday, 1960. New York, W. W. Norton, 1963. Da Capo Press, 1976.
  • Aaron COPLAND, « Le Compositeur en Amérique industrielle », traduit de l’anglais par Vincent Barras, Musiques Nord-Américaines, Contrechamps n° 6, avril 1986, pp. 24-34.
  • Aaron COPLAND, Music and Imagination, Cambridge, MA, Havard University Press, 1952.
  • Aaron COPLAND, The New Music 1900-1960, W.W. Norton & Company, New York, 1968.
  • Aaron COPLAND, What to Listen for in Music, New York, McGraw-Hill, 1939. Rév. et aug. 1939. London, Penguin Books, 2002.
  • Aaron COPLAND, Vivian PERLIS, Copland: 1900 through 1942 (volume 1), Faber and Faber, London, Boston, 1984.
  • Aaron COPLAND, Vivian PERLIS, Copland Since 1943, New York, St. Martin’s Press, 1989.
  • Arnold DOBRIN, Aaron Copland: His Life and Times, New York, Thomas Y. Crowell, 1967.
  • Carol J. OJA, Judith TICK (édit.), Aaron Copland and his World, Princeton and Oxford, Princeton University Press, 2005.
  • Catharine Owens PEARE, Aaron Copland: His Life, New York, Holt, Rinehart and Winston, 1969.
  • Howard POLLACK, Aaron Copland: The Life and Work of an Uncommon Man, Henry Holt, New York, 1998.
  • Joann SKOWRONSKI, Aaron Copland: A Bio-Bibliography, Westport, Greenwood Press, 1985.
  • Julia SMITH, Aaron Copland: His Work and Contribution to American Music, New York, Dutton, 1955.
  • Lawrence STARR, « Copland Style », Perspectives of New Music, 19, 1980-81, pp. 68-89.

Discographie sélective

  • Aaron COPLAND, Appalachian Spring; Rodeo; Billy the Kid; Fanfare for the Common Man; New York Philharmonic Orchestra, direction : Leonard Bernstein, 1 cd Sony SMK 63082.
  • Aaron COPLAND, The complete Music for Piano, Leo Smit : piano, 1 cd Sony SM2K 66 345.
  • Aaron COPLAND, « Copland The Modernist » : Concerto for Piano and Orchetra; Orchestral Variations; Short Symphony (Symphony n° 2) ; Symphonic Ode, Garrick Ohlsson : piano, San Francisco Symphony Orchestra, direction : Michael Tilson Thomas, 1 cd RCA Victor 09026 68541 2.
  • Aaron COPLAND, In the Beginning ; The Second Hurricane, Martha Lipton*: mezzo-soprano, Chorus Pro musica*, Solists and Chorus of the High School of Music and Art, New York City, Leonard Bernstein (dir., narrator), 1 cd Sony SMK 60560.
  • Aaron COPLAND, « Music for Films » : The Red Pony; Our Town; The Heiress Suite; Music for Movies; Prairie Journal (Music for Radio), Saint Louis Symphony Orchestra, direction : Leonard Slatkin, 1 cd RCA
  • Aaron COPLAND, Symphony n° 3 ; Symphony for Organ and Orchestra, New York Philharmonic Orchestra, E. Power Biggs : orgue, Leonard Berstein : direction, 1 cd Sony SMK 63155.
  • Aaron COPLAND, Music for the Theatre; Concerto for Piano and Orchestra; Connotations; El Salón México, Columbia Symphony Orchestra, New York Philharmonic Orchestra, direction : Leonard Bernstein, 1 cd Sony SMK 60177.
  • Copland and The American Sound, Keeping Score, Revolution in Music, San Francisco Symphony Orchestra, Michael Tilson Thomas, 1 DVD, 2006.

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