Event containing 21 medias
Discover Somax for Live: a new tool bringing the musical intelligence of Somax2 into the native environment of Ableton Live. This presentation explores how the system opens a fluid dialogue between musician and machine for co-improvisation,
March 19, 2026
Karim Haddad presents OpenMusic 8.0 latest features, improvements, and bug fixes. Some new OM libraries will also be presented with the contribution of Carlos Agon.
March 19, 2026
This research centres on Harald Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first section of his Phase 6. Through this experimental interpretation, the aim is to learn from Bod
March 19, 2026
Embracing the Unrepeatable is a project conceived by Eleonora Podestà in collaboration with Thomas De Santi and Erica Vincenti. The main output of this project is a musical performance that explores the essence of co-agency. The fundamental
March 19, 2026
March 19, 2026
The aim of this presentation is to summarize the work I did during my artistic research residency at IRCAM. I explored the potential of polytemporal scores through different methods of computer-aided composition. I also explored how princip
March 19, 2026
This demo presents an easy-to-use practical composer-in-the-loop machine learning system. It can learn a composer's subjective preferences from a number of musical examples and turns them into immediate, interactive control, as part of a ty
March 19, 2026
Cognitive Feedback is a project that maps a performer's brainwaves into live music performance. Using an EEG headset and Python, the system tracks mental states like focus and relaxation to control sound synthesis parameters in Max/MSP. Thi
March 19, 2026
The research project Intuitive Composing in Jazz explores the integration of AI technologies into the creative process of jazz improvisation and composition, utilizing AI-tools such as RAVE and Somax2 as co-creative agents. The resulting mu
March 19, 2026
The making of the exhibition Fabriques du son numérique, or how sound synthesis was developed in France during the 1970s by François-Xavier Féron Where, when, and how were the first computer music pieces produced? Who are the pioneers of Fr
March 19, 2026
Remix est une présentation des premiers résultats issus des rencontres des groupes de recherche hybrides, qui réunissent artistes, chercheurs et ingénieurs autour de projets communs de recherche et de création. La veille des Ateliers Forum,
March 17, 2026
Technical implementations of three interactive sound installations from the 2025 C-LAB Sound Festival: DIVERSONICS — spanning WiFi-synchronized kinetic sound, real-time generative spatialization, and audio-driven visual systems.
March 18, 2026
This session will begin with a brief introduction to the objectives of the new research project AI-Made PostGenAI@Paris, which will be the main focus of our work for the next four to five years.
March 18, 2026
We will present new features of the MuBu for Max framework for multimodal analysis of sound and motion, interactive sound synthesis and machine learning, the CataRT and SKataRT corpus-based synthesis tools for Max and Ableton Live, the Gest
March 18, 2026
In this short presentation, we will introduce the latest software developments from the EAC Research Team (Acoustics & Cognition). These improvements concern all aspects of the toolbox: GUI objects, DSP components, command line tools, docum
March 18, 2026
March 18, 2026
The latest developments in the Partiels and ASAP projects will be presented. Partiels is an application designed for analysing digital audio files, intended for use by researchers in signal processing, musicologists, composers and sound de
March 18, 2026
The ACIDS research group is dedicated to crafting neural audio synthesis tools for musical production and performance. Over the past years, the group has developed a range of technologies for timbre transfer, controllable instrument generat
March 18, 2026
In this presentation, we will present news about: 1) Available tools (MAX/MSP) based on physics: - nonlinear string - bowed string - nonlinear modal synthesis - BrassyFx 2) Current research: - Project on Interactive Analysis/Synthesis of
March 18, 2026
Marcela Lucatelli présentera le développement de *The Inhuman Human Voice*, une œuvre sonore performative pour voix, synthèse neuronale interactive et système de haut-parleurs multicanaux, dont la première aura lieu aux Cisterns lors du Fes
March 18, 2026
The exploration of AI systems in artistic practice raises fundamental questions of intention and control. This presentation examines how the strengths of neural networks such as RAVE can be shaped within a compositional framework to constru
March 18, 2026