Reflecting on research-creation methodologies in the development of distributed applications for live performance

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Can the Web Audio API Help Save Lives on the Road? - Roland Cahen, Victor Paredes

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Slow Coding for the Web: Memory, Testimony, and Time-Based Composition in Estuary - Jessica A. Rodriguez

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Using Web Audio API to determine audience member positions for immersive performances - Otto Rottier

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WebAssembly Music instrument plugin NFTs - Peter Salomonsen

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FLO + Reverbera!: Telematic City Jam - Paris

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WCLAP: Reusing the CLAP standard for Web Audio - Geraint Luff

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The Periodic Table Arranged for Guitar and Sampler: A Real-Time Web MIDI Performance of the Periodic Table of elements

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Network latency fed back

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Orbits and Bodies

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RhizomeBridge: real-time communication between native audio plugins and Node.js via shared memory - Lorenzo Ballerini, Valerio Orlandini

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p5.spatial.js: Accessible Multichannel Sound Composition in the Browser - Thomas Martinez

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Introducing the MVP Support System: A Web-Based Intonation Feedback Tool for Wind Instrument Performance - Yasumasa Yamaguchi

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What Moves You?​ Hacking the Web with Counter-Choreography​ - Joana Chicau

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DawBi: A WebSocket-Based Plugin for Semantic Dialogue Between DAW and KOBI AI - Alberto Maria Gatti

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Multi-Version Song Exploration in Web VR Using A-Frame and Tone.js - Tom Collins

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speakers

information

Type
Séminaire / Conférence
performance location
Ircam, Espace de projection (Paris)

Web Audio Conference 2025: day 2

WAC is an international conference dedicated to web audio technologies and applications. The conference addresses academic research, artistic research, development, design, evaluation and standards concerned with emerging audio-related web technologies such as Web Audio API, Web RTC, WebSockets and Javascript.

The conference welcomes researchers, developers, designers, artists, and all people interested in the fields of web development and music technology.

Web Audio Conferences were previously held in 2015 at IRCAM and Mozilla in Paris, in 2016 at Georgia Tech in Atlanta, in 2017 at the Centre for Digital Music, Queen Mary University of London in London, in 2018 at TU Berlin in Berlin, in 2019 at the Norwegian University of Science and Technology in Trondheim, in 2021 at Universitat Pompeu Fabra and SonoSuite, Barcelona, Spain (virtual event), in 2022 at Université Côte d'Azur, Cannes, France and in 2024 at Purdue University, US.

For this 10 year anniversary, the proposed theme "Hacking and Making with Web Audio", is intended to invite scholars, researchers, developers, designers and artists to explore and engage with new usage of the Web Audio API across various disciplines and contexts. In particular, we will welcome original contributions that re-question and propose novel use of Web and Audio technologies, e.g. in their relation to more traditional music technologies and ecosystem, with or without the Internet or mixing paradigms such as mobile or IoT technologies.

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

opening times

Monday through Friday 9:30am-7pm
Closed Saturday and Sunday

subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

Copyright © 2022 Ircam. All rights reserved.