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The presentation is intended as an introduction to deep learning and its applications in music. The presentation features the use deep auto-encoders for generating novel sounds from a hidden representation of an audio corpus, audio style transfer as shown by Ulyanov (https://dmitryulyanov.github.io/audio-texture-synthesis-and-style-transfer/), and future directions based on CycleGan, WaveNet, etc; as well as a high level introductions of some basic concepts in machine learning.
Depuis une dizaine dâannĂ©es, le dĂ©partement SATIS, puis la laboratoire ASTRAM et maintenant le laboratoire PRISM (Perception ReprĂ©sentation Image Son Musique) dĂ©veloppe un projet de sonothĂšque de sons dâambiance consultable en ligne intitul
March 8, 2018 33 min
Depuis 2011 je travaille sur un projet de recherche et dâĂ©criture basĂ© sur le dialogue musical et scĂ©nique entre des instruments symphoniques et des objets sonores Ă©lectroacoustiques. AprĂšs la construction de trois objets (la fontaine Ă©lect
March 8, 2018 01 h 16 min
StreamCaching est un projet musical qui a débuté en juin 2017 à Hambourg. Il a été lancé au Blurred Edges festival de musique contemporaine: 10 compositions ont été commandées, numérisées, munies de données GPS et localisées à travers la vi
March 8, 2018 33 min
We observe the success of artificial neural networks in simulating human performance on a number of tasks: such as image recognition, natural language processing, etc. However, there are limits to state-of-the- art AI that separate it from
March 8, 2018 30 min
Within this project, I aim to define a mutual synthesis of sound and position of the borderlines in space. Space, as well as word, has its own shape, meaning, and wording. How it affects our perception of architecture acoustic experience sp
March 8, 2018 26 min
Future Perfect will be a concert performance using smart phone virtual reality technologies and ambisonic/ WaveField sound diffusion.Future Perfect explores the seam between virtual reality as a documentation format for environmental resear
March 8, 2018 33 min
Le nom vient de la dĂ©finition française âMusique Mixteâ, qui indique lâĂ©lectronique en live (ou mĂȘme seulement de lâĂ©lectronique sans interaction en temps rĂ©el) avec des instruments acoustiques sur scĂšne. Il fonctionne comme un middleware:
March 8, 2018 26 min
The project explores cross-adaptive processing as a drastic intervention in the modes of communication between performing musicians. Digital audio analysis methods are used to let features of one sound modulate the electronic processing of
March 8, 2018 24 min
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1, place Igor-Stravinsky
75004 Paris
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Monday through Friday 9:30am-7pm
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HĂŽtel de Ville, Rambuteau, ChĂątelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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