Après l’écoute intégrale de Pression,Franck Hilberg analyse cette oeuvre

1 - Helmut Lachenmann and tradition - contradiction and connection
2 - “Tonality” in the thought of Helmut Lachenmann
3 - Das Mädchen mit den Schwefelhölzern - musical critique of the opera as a genre
4 - “Musique concrète instrumentale” in the string quartet Gran Torso
5 - The etudes: Pression, Dal niente, Guero - the concept of “sound-structure”
6 - Essays on the instrumentation of an orchestra: Kontrakadenz