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This paper aims at deepening the relationship between digital technology from the one side and compositional thought and techniques from the other, focusing on Marco Stroppa’s music of the late 1980s and early 1990s. This relationship will
October 9, 2015 28 min
1, place Igor-Stravinsky 75004 Paris +33 1 44 78 48 43
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Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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