d’après Elias Canetti, Die Blendung (1931-1932), Theory of the Acoustic Mask (1937)
flute (also piccolo, bass flute), bass clarinet (also contrabass clarinet), clarinet (also bass clarinet), bassoon (also contrabassoon), baritone saxophone, percussionist, harp, 2 electronic/MIDI keyboards/synthesizers, 3 violins, viola, 2 cellos, double bass
Allemagne, Witten, Wittener Tage für Neue Kammermusik
This entry is encyclopaedic in nature and does not reflect the collections of the Ircam media library. Please refer to the "scores" entries.
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