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In the talk we present the rationale for the GiantSteps project, a collaborative effort by music information retrieval (MIR) researchers and creative music practitioners, funded by the European Union. The project aims to create musical tools and instruments that provide users with intuitive and meaningful interfaces to complex selections of samples and musical data though expert agents, music analysis algorithms and new interfaces. We outline the overall concept of the project and the methodological framework for the user involvement and suggest a number of ways that we might be able to find new ways to support musicians in imagining future instruments for creative musical expression and find new ways to creatively exploit vast collections of music samples.
Waiting, 4 rêveries pour violon et électronique COALA 1. Bells ; 2. Mute ; 3. Foggy voices ; 4.Bird Waiting, cahier de quatre pièces pour violon et électronique COALA (nom du système de contrôle actif*) et première pièce écrite pour l’ins
November 25, 2015 32 min
A laptop is as small as you can get for computer music. You need a screen to see why it doesn’t work, a keyboard, a mouse…”, is what Miller Puckette stated in his presentation at IRCAM’s Pico Computer Symposium earlier this year. That sound
November 25, 2015 29 min
November 25, 2015 30 min
November 25, 2015 02 h 02 min
November 25, 2015 39 min
November 25, 2015 02 h 02 min
November 25, 2015 23 min
November 25, 2015 23 min
November 25, 2015 35 min
English - simultaneus translation by Marie Louise Diomède
November 25, 2015 39 min
November 25, 2015 02 h 02 min
While there is a well-established workflow for stereo production in DAWs, options have been more limited when working with Ambisonics. The Ambisonic Toolkit (ATK) brings together a number of tools and transforms for working with first order
November 25, 2015 30 min
Autour de la création sonore Iles Ephémères* de Cécile Le Prado, nous présenterons des techniques d’écriture de la spatialisation du son faisant appel au Spatialisateur de l’IRCAM, piloté par le logiciel Ableton Live via Max et Max For Live
November 25, 2015 27 min
English - simultaneus translation by Marie Louise Diomède
November 25, 2015 32 min
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