\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":11,"photo":35,"copyrights":11,"slug":37,"hasArticles":38,"type":39,"hasWorks":40,"works":41,"hasBiography":40,"hasWorkcourse":40,"hasAnalyses":38,"hasBooks":38,"hasMonographs":38,"hasPartitions":38,"hasFloraAudios":38,"hasAudios":40,"hasVideos":38},"Mathias","Spahlinger","valid","2013-05-03T00:00:00.000Z","Compositeur allemand né le 15 octobre 1944 à Francfort-sur-le-Main.","German composer born 15 October 1944 in Frankfurt-am-Main.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Ch5 id=\"-1-textes-de-mathias-spahlinger-\">\u003Cstrong>1.\u003C/strong> \u003Cstrong>Textes de Mathias Spahlinger\u003C/strong>\u003C/h5>\n\u003Cul class=\"list-disc\">\u003Cli>\u003Ca href=\"http://www.nmz.de/online/direkter-angriff-auf-meine-selbstachtung-matthias-spahlinger-lehnt-foerderung-durch-die-ernst\" title=\"Lettre ouverte au Festival unisonore\">Lettre ouverte au Festival unisonore\u003C/a> (à propos de son refus d’accepter une commande payée par la Fondation Siemens), 2012 (\u003Cem>lien vérifié en octobre 2021\u003C/em>).\u003C/li>\u003Cli>« dies ist die zeit der konzeptiven ideologien nicht mehr », \u003Cem>MusikTexte\u003C/em> n° 113, 2007.\u003C/li>\u003Cli>« \u003Cem>Sphärenmusik\u003C/em> von Nicolaus A. Huber », \u003Cem>MusikTexte\u003C/em> n° 108, 2006.\u003C/li>\u003Cli>« konzepte zur ver(über)flüssigung… des komponisten », \u003Cem>MusikTexte\u003C/em> n° 95, 2002.\u003C/li>\u003Cli>Hans Heinrich EGGEBRECHT et Mathias SPAHLINGER, \u003Cem>Geschichte der Musik als Gegenwart\u003C/em>, edition text + kritik, München, 2000.\u003C/li>\u003Cli>« Hat es noch Sinn? Aus einem Gespräch zwischen Mathias Spahlinger, Heinz-Klaus Metzger und Rainer Riehn », \u003Cem>Musik-Konzepte\u003C/em> n° 100, 1998.\u003C/li>\u003Cli>« die aufgaben des öffentlich-rechtlichen rundfunks », *Neue Zeitschrift für Musik n° *5, 1996.\u003C/li>\u003Cli>« ...das theater selbst sichtbar machen », \u003Cem>Positionen\u003C/em> n° 22, 1995.\u003C/li>\u003Cli>« wirklichkeit des bewußtseins und wirklichkeit für das bewußtsein », \u003Cem>MusikTexte\u003C/em> n° 39, 1991.\u003C/li>\u003Cli>« gegen die postmoderne mode zwölf charakteristika der musik des 20. Jahrhunderts », \u003Cem>MusikTexte\u003C/em> n°* *27, 1989.\u003C/li>\u003Cli>« vorläufiges zu theodor w. adornos musik », \u003Cem>Adorno-Noten\u003C/em>, Berlin 1984, republié dans \u003Cem>Musik-Konzepte\u003C/em> n° 63/64, 1989.\u003C/li>\u003Cli>« eröffnungs-schlußfall über die ersten vier takte der \u003Cem>kontrakadenz\u003C/em> [Helmut Lachenmanns] », \u003Cem>Musik-Konzepte\u003C/em> n° 61-62, 1988.\u003C/li>\u003Cli>« nicolaus a. huber: \u003Cem>sechs bagatellen\u003C/em> für kammerensemble », \u003Cem>MusikTexte\u003C/em> n° 2, 1983.\u003C/li>\u003Cli>« innerlichkeit (‘...nicht die gegenständlichkeit selbst...’) als politikum. anmerkungen zur musik helmut lachenmanns », \u003Cem>Schweizerische Musikzeitung\u003C/em> n° 123/6, 1983.\u003C/li>\u003Cli>« politische funktion des subjektiven faktors im musikalischen soziolekt », \u003Cem>Interface of New Musik Research\u003C/em> n° 12/1-2, 1983.\u003C/li>\u003C/ul>\n\u003Ch5 id=\"2-etudes-sur-spahlinger\">2. Etudes sur Spahlinger\u003C/h5>\n\u003Cul class=\"list-disc\">\u003Cli>« alles aus allem entwickeln. Mathias Spahlinger im Gespräch mit Reinhard Oehlschlägel über \u003Cem>passage/paysage\u003C/em> », \u003Cem>MusikTexte\u003C/em> n° 39, 1991.\u003C/li>\u003Cli>\u003Cem>Music of Nicolaus A. Huber and Mathias Spahlinger\u003C/em>, \u003Cem>Contemporary Music Review\u003C/em>, Volume 27, Issue 6, 2008.\u003C/li>\u003Cli>Claus-Henning BACHMANN, « Ins Offene. Der Impuls zur Freiheit bei Mathias Spahlinger \u003Cem>», MusikTexte\u003C/em> n° 39, 1991.\u003C/li>\u003Cli>Hans Heinrich EGGEBRECHT,« Abschied in die Gegenwart. Beispiel Mathias Spahlinger [à propos de \u003Cem>vier stücke\u003C/em>] », \u003Cem>Studien zur Wertungsforschung\u003C/em>, n° 35, Wien/Graz, 1998.\u003C/li>\u003Cli>Clytus GOTTWALD, « Synthese des Zerstreuten. Zu Mathias Spahlingers \u003Cem>extension\u003C/em> für Violine und Klavier »\u003Cem>, Melos-Jahrbuch\u003C/em>, 1990.\u003C/li>\u003Cli>Carsten HÂCKER, « \u003Cem>furioso\u003C/em> (1991) für Ensemble. Eine Untersuchung zur Kompositionstechnik Mathias Spahlingers », \u003Cem>Positionen\u003C/em>, n° 17, 1993.\u003C/li>\u003Cli>Frank HILBERG, « Dialektisches Komponieren », \u003Cem>Handbuch der Musik im 20. Jahrhundert 1975 - 2000\u003C/em>, Laaber, 2000.\u003C/li>\u003Cli>Werner KLÜPPELHOLZ, « Obduktion der Ordnung. Zu Spahlingers \u003Cem>extension\u003C/em> », \u003Cem>MusikTexte\u003C/em> n° 95, 2002.\u003C/li>\u003Cli>Werner KLÜPPELHOLZ, « Ein Streiter gegen die Seichtigkeit - der Komponist Mathias Spahlinger », UP TO DATE, III, 1990.\u003C/li>\u003Cli>Johannes MENKE,« Spahlingers Kammermusik », \u003Cem>Musik & Ästhetik\u003C/em>, n° 11/3, 1999.\u003C/li>\u003Cli>Neil T. SMITH, \u003Cem>Mathias Spahlinger\u003C/em>, Bristol, Intellect Books, 2021.\u003C/li>\u003Cli>Neil T. SMITH, \u003Cem>The persistence of modernism in the music and thought of Mathias Spahlinger\u003C/em>, thèse de doctorat, University of Nottingham, 2017\u003C/li>\u003Cli>Rainer NONNENMANN, « Wider den Utopieverlust. Mathias Spahlingers \u003Cem>doppelt bejaht\u003C/em> », \u003Cem>MusikTexte\u003C/em> n° 124, 2010.\u003C/li>\u003Cli>Rainer NONNENMANN, « Bestimmte Negation. Anspruch und Wirklichkeit einer umstrittenen Strategie anhand von \u003Cem>furioso\u003C/em> », *MusikTexte * n° 95, 2002.\u003C/li>\u003Cli>Rainer NONNENMANN, « Furie des verschwindens. Über Möglichkeiten und Schwierigkeiten bestimmter Negation in der Musik », \u003Cem>Jahrbuch des Staatlichen Insituts für Musikforschung Preußischer Kulturbesitz\u003C/em>, Stuttgart/Weimar, Metzler, 2001.\u003C/li>\u003Cli>Reinhard OEHLSCHLÄGEL, « Avancierte Musiksprache -Musik im leeren Raum? », \u003Cem>Neue Zeitschrift für Musik\u003C/em> n° 144/3, 1983.\u003C/li>\u003Cli>Pete ROSE, « New Directions. A report on Mathias Spahlinger’s \u003Cem>Nah, Getrennt\u003C/em> », \u003Cem>American Recorder\u003C/em>, September 1994.\u003C/li>\u003Cli>Nicolas SCHALZ, « \u003Cem>Landschaft einer Passage/ Passage einer Landschaft »,\u003C/em> dans Peter Rautmann/ Nicolas Schalz (éd.) \u003Cem>Passagen. Kreuz- und Quergänge durch die Moderne\u003C/em>, Con Brio, Regensburg, 1998.\u003C/li>\u003Cli>Dörte SCHMIDT, « \u003Cem>Spahlinger, Mathias »\u003C/em>, \u003Cem>Metzler Komponisten Lexikon\u003C/em>, Stuttgart, 1992.\u003C/li>\u003Cli>Dorothea SCHÜLE, « Mathias Spahlingers \u003Cem>inter-mezzo\u003C/em> von 1986 », \u003Cem>MusikTexte\u003C/em> n° 103, 2004.\u003C/li>\u003Cli>Dorothea SCHÜLE, « Zur Idee der offenen Form in Spahlingers \u003Cem>verlorener weg\u003C/em> », \u003Cem>MusikTexte\u003C/em> n° 95, 2002.\u003C/li>\u003Cli>Jakob ULLMANN, \u003Cem>« Zum streichtrio presentimientos\u003C/em> », \u003Cem>MusikTexte\u003C/em> n° 95, 2002.\u003C/li>\u003Cli>Jean-Noël VON DER WEID, « Essai d'interprétation des conceptions du compositeur Mathias Spahlinger /Versuch einer Deutung des kompositorischen Denkens von Mathias Spahlinger »\u003Cem>, dissonanz/ dissonance\u003C/em>, n° 38, 1993.\u003C/li>\u003Cli>John WARNABY, « mathias spahlinger: a brief introduction », EONTA, n° 2, 1994.\u003C/li>\u003Cli>Peter Niklas WILSON, « Spahlinger, Mathias », \u003Cem>Komponisten der Gegenwart\u003C/em>, edition text + kritik, München, 1994.\u003C/li>\u003Cli>Peter Niklas WILSON, « Komponieren als Zersetzen von Ordnung », \u003Cem>Neue Zeitschrift für Musik\u003C/em> n° 149/4, 1988.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Matthias SPAHLINGER, \u003Cem>Entfernte Ergänzung\u003C/em>, dans « Aleph Gitarrenquartett Vol. 2 », 1 CD Neos, 2017, NEOS 11710.\u003C/li>\u003Cli>Matthias SPAHLINGER, \u003Cem>Musica impura\u003C/em>, dans « Musica Impura » avec des œuvres de Eblis Alvarez et Karl Aage Rasmussen, 1 CD CDKlassisk, 2011, CDK 1083.\u003C/li>\u003Cli>Matthias SPAHLINGER, \u003Cem>furioso\u003C/em> ; \u003Cem>gegen unendlich\u003C/em> ; \u003Cem>fugitive beauté\u003C/em> ; \u003Cem>apo do\u003C/em>, Ensemble Modern, ensemble recherche, quatuor Arditti, 1 cd Kairos, WRD3, 2007.\u003C/li>\u003Cli>Matthias SPAHLINGER, \u003Cem>Apo do\u003C/em>, quatuor Arditti, 1 cd Auvidis Montaigne.\u003C/li>\u003Cli>Matthias SPAHLINGER, I. \u003Cem>128 Erfüllte Augenblicke - Systematisch Geordnet, Variabel zu spielen\u003C/em> ; II. \u003Cem>In dem ganzen Ocean von empfindungen eine Welle Absondern, sie anhalten\u003C/em>;III. \u003Cem>Inter-mezzo\u003C/em>, Linda Hirst, Uwe Möckel, Lucas Fels (I), Südfunkchor Stuttgart, dir. Klaus-Martin Ziegler (II), Robert Regös, Sinfonieorchester des Hessischer Rundfunks, dir. Jürg Wyttenbach (III), 1 cd Wergo 6513-2.\u003C/li>\u003Cli>Matthias SPAHLINGER, « \u003Cem>Musica impura\u003C/em> » : \u003Cem>Aussageverweigerung/Gegendarstellung\u003C/em> ; \u003Cem>Vier Stücke\u003C/em> ; \u003Cem>128 Erfülte Augenblicke\u003C/em> (version I) ; \u003Cem>fünf sätze für zwei klaviere\u003C/em> ; \u003Cem>128 erfülte augenblicke\u003C/em> (version II) ; \u003Cem>musica impura\u003C/em> ; \u003Cem>128 erfülte augenblicke\u003C/em> (version III) ; \u003Cem>entlöchend\u003C/em> ; \u003Cem>presentimientos\u003C/em> ; \u003Cem>éphémère\u003C/em> ; \u003Cem>Adieu m'amour - hommage à Guillame Dufay\u003C/em> ; Barbara Maurer: contralto, Lucas Fels : violoncelle, Erich Wagner et Uwe Möckel : clarinette, Harald Lillmeyer : guitare, Ensemble Recherche, Jürg Wyttenback : direction, 1 cd Accord, una corda, 1998, n° 206222.\u003C/li>\u003Cli>Matthias SPAHLINGER, \u003Cem>Passage/Paysage,\u003C/em> Sinfonieorchester des Schwedischen Rundfunks, 1 cd Weltmusiktage Stockholm 1994, n° AU 31819.\u003C/li>\u003Cli>Matthias SPAHLINGER, I. \u003Cem>Fünf sätze für zwei Klaviere\u003C/em> ; II. \u003Cem>Entlöschend\u003C/em> ; III. \u003Cem>Vier Stücke\u003C/em> ; VI. \u003Cem>Aussageverweigerung/Gegendarstellung\u003C/em> - \u003Cem>Zwei Kontra-kontexte für Doppelquartet\u003C/em>t ; V. \u003Cem>Adieu m'amour hommage à Guillaume Dufay\u003C/em> ; VI. \u003Cem>Musíca impura\u003C/em> ; VII. \u003Cem>Presentimientos\u003C/em>, Angelika Nebel, Dietrich Boekle (I), Christian Dierstein (II), Linda Hirst, Ensemble Recherche (III), ensemble Recherche (IV-V-VI), Trio Recherche (VII), 1 cd Accord, coll. documentation Witten, n° 206222.\u003C/li>\u003Cli>Matthias SPAHLINGER, \u003Cem>Und als wir\u003C/em>, Sinfonieorchester des SWF, direction : Lhotar Zagrosek, 1 cd col legno n° 31875.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"liens-internet\">Liens Internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Site du compositeur : \u003Ca href=\"https://mathiasspahlinger.de/?lang=en\" title=\"www.mathiasspahlinger.de\">www.mathiasspahlinger.de\u003C/a>\u003C/li>\u003Cli>Peermusic Classical : \u003Ca href=\"https://www.peermusic-classical.de/en/composers/mathias_spahlinger/\" title=\"www.peermusic-classical.de\">www.peermusic-classical.de\u003C/a>\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>(liens vérifiés en octobre 2021).\u003C/em>\u003C/p>\n","","2021-11-08T00:00:00.000Z",{"getUrl":36},"https://storage.ressources.ircam.fr/ressources/persons/photos/f68bd343-843a-4369-8bd2-c09c121c26a1-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20251002%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20251002T062651Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=e8d09d714b64816e6a79dc646d432f9b86077a9b4006671480373fcb9578bb0b","mathias-spahlinger",false,"COMPOSER",true,[42,54,66,77,88,97,108,121,131,140,152,163,174,184,194,204,214,225,236,245,255,266,276,285,293,304,310,320,328,336,341,351,360,370,380,391,400,409,418,427,432,441,451,460,471,481,491,501,510,520,529,539,547,554,563,572,581,589,595,605],{"id":43,"slug":44,"title":45,"duration":46,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":48,"descriptionEn":49,"cardDescription":48,"style":50,"styleEn":51,"editor":52,"tags":53},"854e3de0-1029-4ecc-aa49-1097a312cd0d","und-als-wir","Und als wir",20,"1993-01-01T00:00:00.000Z","pour 54 cordes","for 54 strings","Musique instrumentale d'ensemble (Orchestre à cordes)","Instrumental ensemble music (String orchestra)","Universal Edition",[],{"id":55,"slug":56,"title":56,"duration":57,"publishingStartDate":58,"publishingEndDate":59,"descriptionFr":60,"descriptionEn":61,"cardDescription":60,"style":62,"styleEn":63,"editor":64,"tags":65},"d1c869a6-9dc5-4ed7-9026-e654e3f7dc82","extension",50,"1979-01-01T00:00:00.000Z","1980-01-01T00:00:00.000Z","pour violon et piano","for violin and piano","Musique de chambre (Duo piano et violon)","Chamber music (Piano and violin duo)","Peer Music",[],{"id":67,"slug":68,"title":69,"duration":70,"publishingStartDate":71,"publishingEndDate":71,"descriptionFr":72,"descriptionEn":73,"cardDescription":72,"style":74,"styleEn":75,"editor":64,"tags":76},"dabc8578-1731-4238-be60-564a18a72659","gegen-unendlich","gegen unendlich",15,"1995-01-01T00:00:00.000Z","pour clarinette basse, trombone, violoncelle et piano","for bass clarinet, trombone, cello and piano","Musique de chambre (Quatuor à vent, clavier et cordes)","Chamber music (Wind, keyboard and string quartet)",[],{"id":78,"slug":79,"title":80,"duration":81,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":83,"descriptionEn":84,"cardDescription":83,"style":85,"styleEn":86,"editor":64,"tags":87},"07602f55-e85e-445c-8a05-e43436550589","musica-impura","musica impura",6,"1983-01-01T00:00:00.000Z","pour soprano solo, guitare et percussion","for solo soprano, guitar and percussion","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[],{"id":89,"slug":90,"title":91,"duration":92,"publishingStartDate":93,"publishingEndDate":93,"descriptionFr":94,"descriptionEn":95,"cardDescription":94,"style":85,"styleEn":86,"editor":64,"tags":96},"5fe3e591-4364-42c4-854c-4995a420cb8b","vier-stucke-1","vier stücke",4,"1975-01-01T00:00:00.000Z","pour soprano solo, clarinette, violon, violoncelle et piano","for solo soprano, clarinet, violin, cello and piano",[],{"id":98,"slug":99,"title":100,"duration":101,"publishingStartDate":102,"publishingEndDate":102,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":105,"styleEn":106,"editor":64,"tags":107},"8d27440e-6b07-4ddc-9704-24b4dcfe90b9","verlorener-weg-ii","verlorener weg II",19,"2000-01-01T00:00:00.000Z","pour ensemble","for ensemble","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 10 à 25 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 10 to 25 instruments)",[],{"id":109,"slug":110,"title":111,"duration":112,"publishingStartDate":93,"publishingEndDate":93,"descriptionFr":113,"descriptionEn":114,"cardDescription":113,"style":115,"styleEn":116,"editor":117,"tags":118},"17eae9a1-bbc5-4a88-ab5c-c6db9571c29c","storung","störung",2,"musique électronique","electronic music","Musique électronique / sur support / instruments mécaniques (Musique électronique / sur support / instruments mécaniques)","Electronic music / fixed media / mechanical musical instruments (Electronic music / fixed media / mechanical musical instruments)","Inédit",[119],{"label":120},"Électronique",{"id":122,"slug":123,"title":123,"duration":124,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":125,"descriptionEn":126,"cardDescription":125,"style":127,"styleEn":128,"editor":129,"tags":130},"35867e0f-3f7d-4243-abf9-585377240af0","off",10,"pour six caisses claires","for six snares","Musique de chambre (Sextuor et plus de peaux)","Chamber music (6 or more membranophones)","Editions Musicales Européennes",[],{"id":132,"slug":133,"title":134,"duration":11,"publishingStartDate":135,"publishingEndDate":135,"descriptionFr":136,"descriptionEn":137,"cardDescription":136,"style":85,"styleEn":86,"editor":138,"tags":139},"dbb60c70-eda9-4866-9c94-2a4c3b28b5e2","128-erfullte-augenblicke","128 erfüllte augenblicke","1976-01-01T00:00:00.000Z","\u003Ci>systematisch geordnet, variabel zu spielen\u003C/i>, pour voix, clarinette et violoncelle","\u003Ci>systematisch geordnet, variabel zu spielen\u003C/i>, for voice, clarinet and cello","Breitkopf & Härtel",[],{"id":141,"slug":142,"title":143,"duration":144,"publishingStartDate":145,"publishingEndDate":146,"descriptionFr":147,"descriptionEn":148,"cardDescription":147,"style":149,"styleEn":150,"editor":138,"tags":151},"e0d5d4eb-8166-4201-8c65-7815f96b206f","passagepaysage","passage/paysage",45,"1988-01-01T00:00:00.000Z","1990-01-01T00:00:00.000Z","pour grand orchestre","for large orchestra","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or larger))",[],{"id":153,"slug":154,"title":155,"duration":156,"publishingStartDate":157,"publishingEndDate":157,"descriptionFr":158,"descriptionEn":159,"cardDescription":158,"style":160,"styleEn":161,"editor":52,"tags":162},"a0274742-c178-48c6-8480-2d56a5e7e946","nah-getrennt","nah, getrennt",0,"1992-01-01T00:00:00.000Z","pour flûte à bec alto solo","for solo alto recorder","Musique soliste (sauf voix) (Flûte)","Solo (excluding voice) (Flute)",[],{"id":164,"slug":165,"title":166,"duration":167,"publishingStartDate":168,"publishingEndDate":168,"descriptionFr":169,"descriptionEn":170,"cardDescription":169,"style":171,"styleEn":172,"editor":11,"tags":173},"6d3663f8-3818-45df-91a1-74c28cf08756","szenen-fur-kinder","szenen für kinder",12,"1970-01-01T00:00:00.000Z","pour groupe d'enfants","for groups of children","Effectif non spécifié (Effectif non spécifié)","Unspecified instrumentation (Unspecified instrumentation)",[],{"id":175,"slug":176,"title":177,"duration":70,"publishingStartDate":178,"publishingEndDate":178,"descriptionFr":179,"descriptionEn":180,"cardDescription":179,"style":181,"styleEn":182,"editor":117,"tags":183},"8ad43b34-a306-4b34-9b02-7585bf8beeb4","entloschend","entlöschend","1974-01-01T00:00:00.000Z","pour grand tam-tam","for big tam-tam","Musique soliste (sauf voix) (Instruments particuliers)","Solo (excluding voice) (Custom instruments)",[],{"id":185,"slug":186,"title":187,"duration":70,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":189,"descriptionEn":190,"cardDescription":189,"style":191,"styleEn":192,"editor":64,"tags":193},"ebe574e3-8aee-4db9-86a3-a1b6e2907944","funf-satze","Fünf Sätze","1969-01-01T00:00:00.000Z","pour deux pianos","for two pianos","Musique de chambre (Duo de pianos)","Chamber music (Piano duo)",[],{"id":195,"slug":196,"title":197,"duration":124,"publishingStartDate":198,"publishingEndDate":198,"descriptionFr":199,"descriptionEn":200,"cardDescription":199,"style":201,"styleEn":202,"editor":64,"tags":203},"0372932d-ad54-49b1-8987-64eae1b44d2e","apodw-(apo-do)","Απòδω (apo do)","1982-01-01T00:00:00.000Z","\u003Ci>\"von hier\"\u003C/i>, pour quatuor à cordes","\u003Ci>\"von hier\"\u003C/i>, for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":205,"slug":206,"title":207,"duration":208,"publishingStartDate":71,"publishingEndDate":71,"descriptionFr":209,"descriptionEn":210,"cardDescription":209,"style":211,"styleEn":212,"editor":64,"tags":213},"23fa9fae-4387-4f90-87ed-d4be08ae1ea9","uber-den-fruhen-tod-frauleins-anna-augusta-marggrafin-zu-baden","Über den frühen Tod Fräuleins Anna Augusta Marggräfin zu baden",30,"pour huit voix et huit instruments","for eight voices and eight instruments","Musique vocale et instrument(s) (2 voix solistes ou plus et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (2 solo voices or more and ensemble of up to 9 instruments)",[],{"id":215,"slug":216,"title":217,"duration":46,"publishingStartDate":218,"publishingEndDate":218,"descriptionFr":219,"descriptionEn":220,"cardDescription":219,"style":221,"styleEn":222,"editor":11,"tags":223},"0f7f6d6b-81ef-4bad-ac0a-49c0b7121f85","in-dem-ganzen-ocean-von-empfindungen-eine-welle-absondern-sie-anhalten","in dem ganzen ocean von empfindungen eine welle absondern, sie anhalten","1985-01-01T00:00:00.000Z","pour chœur et playback","for choir and lip synching","Musique vocale a cappella (Chœur mixte a cappella)","A cappella vocal music (Mixed choir a cappella)",[224],{"label":120},{"id":226,"slug":227,"title":228,"duration":229,"publishingStartDate":230,"publishingEndDate":230,"descriptionFr":231,"descriptionEn":232,"cardDescription":231,"style":233,"styleEn":234,"editor":11,"tags":235},"715d4a14-510d-483d-b299-29a49f19a5c5","lamento-protokoll","Lamento, Protokoll",52,"2011-01-01T00:00:00.000Z","pour violoncelle et orchestre","for cello and orchestra","Musique concertante (Violoncelle et orchestre)","Concertant music (Cello and orchestra)",[],{"id":237,"slug":238,"title":239,"duration":156,"publishingStartDate":157,"publishingEndDate":47,"descriptionFr":240,"descriptionEn":241,"cardDescription":240,"style":242,"styleEn":243,"editor":52,"tags":244},"ee063b13-1b9d-4072-8ba8-cba7a25c88b1","vorschlage-konzepte-zur-ver(uber)flussigung-der-funktion-des-komponisten","vorschläge, konzepte zur ver(über)flüssigung der funktion des komponisten","pour voix","for voice","Musique vocale a cappella (Musique vocale a cappella)","A cappella vocal music (A cappella vocal music)",[],{"id":246,"slug":247,"title":248,"duration":249,"publishingStartDate":198,"publishingEndDate":82,"descriptionFr":250,"descriptionEn":251,"cardDescription":250,"style":252,"styleEn":253,"editor":64,"tags":254},"50457a6f-cc66-4fb7-be14-30df4d60a244","adieu-m'amour","adieu m'amour",8,"\u003Ci>hommage à Guillaume Dufay\u003C/i>, pour violon et violoncelle","\u003Ci>hommage à Guillaume Dufay\u003C/i>, for violin and cello","Musique de chambre (Duo violon violoncelle)","Chamber music (Violin and cello duo)",[],{"id":256,"slug":257,"title":258,"duration":208,"publishingStartDate":259,"publishingEndDate":260,"descriptionFr":261,"descriptionEn":262,"cardDescription":261,"style":263,"styleEn":264,"editor":64,"tags":265},"21d0465e-f78a-4506-a12d-bc2bce3c58b3","akt-eine-treppe-herabsteigend","akt, eine treppe herabsteigend","1997-01-01T00:00:00.000Z","1998-01-01T00:00:00.000Z","d'après l'œuvre de Marcel Duchamp, pour clarinette basse, trombone et orchestre","based on the work of Marcel Duchamp, for bass clarinet, trombone and orchestra","Musique concertante (2 solistes divers et ensemble/orchestre)","Concertant music (2 various soloists and ensemble/orchestra)",[],{"id":267,"slug":268,"title":269,"duration":46,"publishingStartDate":270,"publishingEndDate":270,"descriptionFr":271,"descriptionEn":272,"cardDescription":271,"style":273,"styleEn":274,"editor":64,"tags":275},"215e6c90-8e85-4b99-bcc7-2fb94b52af8f","ephemere","éphémère","1977-01-01T00:00:00.000Z","pour trois percussionnistes et piano","for three percussionists and piano","Musique de chambre (Quatuor de percussions et clavier(s))","Chamber music (Percussion and keyboard quartet)",[],{"id":277,"slug":278,"title":279,"duration":280,"publishingStartDate":281,"publishingEndDate":281,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":282,"styleEn":283,"editor":64,"tags":284},"9d6a4c6e-2a02-4d2d-9a42-185e2c3d5bdf","fugitive-beaute","Fugitive beauté",17,"2006-01-01T00:00:00.000Z","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 5 à 9 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 5 to 9 instruments)",[],{"id":286,"slug":287,"title":287,"duration":249,"publishingStartDate":93,"publishingEndDate":93,"descriptionFr":288,"descriptionEn":289,"cardDescription":288,"style":290,"styleEn":291,"editor":64,"tags":292},"5900cfb9-d0e0-4777-b4ed-ae2472e74d97","morendo","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Orchestre type \"bois par 2\")","Instrumental ensemble music (Double wind orchestra)",[],{"id":294,"slug":295,"title":296,"duration":297,"publishingStartDate":298,"publishingEndDate":298,"descriptionFr":299,"descriptionEn":300,"cardDescription":299,"style":301,"styleEn":302,"editor":64,"tags":303},"0302eec7-f1c5-43f7-a4d9-d9eb043a100d","roaiughff-(strange)","RoaiuGHFF (strange?)",47,"1981-01-01T00:00:00.000Z","pour solistes jazz et orchestre","for jazz soloists and orchestra","Musique concertante (4 solistes ou plus et ensemble/orchestre)","Concertant music (4 or more soloists and ensemble/orchestra)",[],{"id":305,"slug":306,"title":307,"duration":280,"publishingStartDate":308,"publishingEndDate":102,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":105,"styleEn":106,"editor":64,"tags":309},"fdc69541-a598-4da5-a33d-dbb884228727","verlorener-weg-i","verlorener weg I","1999-01-01T00:00:00.000Z",[],{"id":311,"slug":312,"title":313,"duration":314,"publishingStartDate":188,"publishingEndDate":188,"descriptionFr":315,"descriptionEn":316,"cardDescription":315,"style":317,"styleEn":318,"editor":11,"tags":319},"ef31aa19-ce24-4e66-8e91-0b4e2e608517","drama-1","drama",9,"pour douze voix solistes","for twelve solo voices","Musique vocale a cappella (5 voix solistes et plus)","A cappella vocal music (5 or more solo voices)",[],{"id":321,"slug":322,"title":323,"duration":324,"publishingStartDate":178,"publishingEndDate":178,"descriptionFr":325,"descriptionEn":326,"cardDescription":325,"style":221,"styleEn":222,"editor":11,"tags":327},"efe999be-e1b4-4f6d-bf90-bb3889b0af4d","sotto-voce-3","Sotto voce",5,"pour chœur","for choir",[],{"id":329,"slug":330,"title":331,"duration":332,"publishingStartDate":59,"publishingEndDate":59,"descriptionFr":333,"descriptionEn":334,"cardDescription":333,"style":115,"styleEn":116,"editor":117,"tags":335},"f5683c61-6b82-473b-af3f-f06226fee191","pablo-picasso:-wie-man-wunsche-beim-schwanz-packt","pablo picasso: wie man wünsche beim schwanz packt",42,"pièce radiophonique en six actes","radio play in six acts",[],{"id":337,"slug":338,"title":339,"duration":314,"publishingStartDate":270,"publishingEndDate":270,"descriptionFr":147,"descriptionEn":148,"cardDescription":147,"style":149,"styleEn":150,"editor":117,"tags":340},"297914a2-fc64-4ae9-a792-d9fa0898bdf5","alban-berg:-sonate-fur-klavier-op.-1","Alban Berg: sonate für klavier op. 1",[],{"id":342,"slug":343,"title":344,"duration":345,"publishingStartDate":346,"publishingEndDate":59,"descriptionFr":347,"descriptionEn":348,"cardDescription":347,"style":317,"styleEn":318,"editor":138,"tags":349},"225c57d9-5550-4e86-b3ae-1839469b4661","el-sonido-silencioso","el sonido silencioso",28,"1973-01-01T00:00:00.000Z","\u003Ci>musique funéraire pour Salvador Allende\u003C/i>, pour sept voix de femmes et bande","\u003Ci>funeral music for Salvador Allende\u003C/i>, for seven female voices and tape",[350],{"label":120},{"id":352,"slug":353,"title":353,"duration":354,"publishingStartDate":82,"publishingEndDate":218,"descriptionFr":355,"descriptionEn":356,"cardDescription":355,"style":357,"styleEn":358,"editor":138,"tags":359},"8649e083-97a7-4e06-91aa-a69f9d4cc068","verfluchung",33,"pour trois voix et percussions","for three voices and percussion","Musique vocale et instrument(s) (3 ou plus voix solistes et percussion)","Vocal music and instrument(s) (3 solo voices or more and percussion)",[],{"id":361,"slug":362,"title":362,"duration":363,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":364,"descriptionEn":365,"cardDescription":364,"style":366,"styleEn":367,"editor":52,"tags":368},"905efb3c-8f0d-4925-9bde-07874a55a4b4","presentimientos",34,"variations pour trio à cordes et bande","variations for string trio and band","Musique de chambre (Trio violon, alto, violoncelle)","Chamber music (Violin, viola and cello trio)",[369],{"label":120},{"id":371,"slug":372,"title":373,"duration":374,"publishingStartDate":298,"publishingEndDate":298,"descriptionFr":375,"descriptionEn":376,"cardDescription":375,"style":377,"styleEn":378,"editor":64,"tags":379},"943f989f-76da-438d-be54-d6ea7a84fbbe","aussageverweigerung-gegendarstellung","aussageverweigerung / gegendarstellung",13,"deux \u003Ci>kontra-kontexte\u003C/i> pour double quatuor","two \u003Ci>kontra-kontexte\u003C/i> for double quartet","Musique de chambre (Sextuor et plus de vents, clavier(s) et cordes)","Chamber music (Winds, keyboard, and strings - 6 or more musicians)",[],{"id":381,"slug":382,"title":383,"duration":384,"publishingStartDate":385,"publishingEndDate":385,"descriptionFr":386,"descriptionEn":387,"cardDescription":386,"style":388,"styleEn":389,"editor":64,"tags":390},"567daa35-1f7b-4e88-bdd8-4de86565cd7d","farben-der-fruhe","farben der frühe",46,"2005-01-01T00:00:00.000Z","pour sept pianos","for seven pianos","Musique de chambre (Sextuor et plus de claviers)","Chamber music (6 or more keyboards)",[],{"id":392,"slug":393,"title":393,"duration":394,"publishingStartDate":395,"publishingEndDate":395,"descriptionFr":396,"descriptionEn":396,"cardDescription":396,"style":397,"styleEn":398,"editor":64,"tags":399},"a6a523eb-0728-499a-a00c-716183d0021d","inter-mezzo",26,"1986-01-01T00:00:00.000Z","\u003Ci>concertato non concertabile tra pianoforte e orchestra\u003C/i>","Musique concertante (Piano et orchestre)","Concertant music (Piano and orchestra)",[],{"id":401,"slug":402,"title":402,"duration":314,"publishingStartDate":403,"publishingEndDate":403,"descriptionFr":404,"descriptionEn":405,"cardDescription":404,"style":406,"styleEn":407,"editor":64,"tags":408},"35e47a67-5619-4ba9-954b-f04141a5e906","phonophobie","1972-01-01T00:00:00.000Z","pour quintette à vent","for wind quintet","Musique de chambre (Quintette de bois et cuivres)","Chamber music (Woodwind and brass quintet)",[],{"id":410,"slug":411,"title":412,"duration":413,"publishingStartDate":346,"publishingEndDate":178,"descriptionFr":414,"descriptionEn":415,"cardDescription":414,"style":115,"styleEn":116,"editor":117,"tags":416},"752141de-28c9-4671-885f-e395022c324b","wozu-noch-musik","wozu noch musik? ",62,"\u003Ci>ästhetische theorie in quasi-ästhetischer gestalt\u003C/i>, collage radiophonique","\u003Ci>ästhetische theorie in quasi-ästhetischer gestalt\u003C/i>, radio collage",[417],{"label":120},{"id":419,"slug":420,"title":420,"duration":421,"publishingStartDate":82,"publishingEndDate":82,"descriptionFr":422,"descriptionEn":423,"cardDescription":422,"style":424,"styleEn":425,"editor":11,"tags":426},"627b90b1-9a69-4c40-a659-3607f4b6c2b8","signale",7,"\u003Ci>chorszenen ohne gesang\u003C/i>, pour chœur ","\u003Ci>chorszenen ohne gesang\u003C/i>, for choir","Musique vocale a cappella (Chœur a cappella non spécifié)","A cappella vocal music (Unspecified choir a cappella)",[],{"id":428,"slug":429,"title":429,"duration":46,"publishingStartDate":430,"publishingEndDate":157,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":105,"styleEn":106,"editor":138,"tags":431},"0a56b16f-48f7-4238-b265-ec03d714b587","furioso","1991-01-01T00:00:00.000Z",[],{"id":433,"slug":434,"title":435,"duration":11,"publishingStartDate":168,"publishingEndDate":168,"descriptionFr":436,"descriptionEn":437,"cardDescription":436,"style":438,"styleEn":439,"editor":11,"tags":440},"ded83b26-eceb-4130-b788-446997394033","fur-sich","für sich","pour un(e) récitant(e)","for a reciter","Musique vocale a cappella (Voix soliste non spécifiée)","A cappella vocal music (Unspecified solo voice)",[],{"id":442,"slug":443,"title":444,"duration":11,"publishingStartDate":445,"publishingEndDate":445,"descriptionFr":446,"descriptionEn":447,"cardDescription":446,"style":448,"styleEn":449,"editor":11,"tags":450},"0f17c768-07a9-446a-a4f2-0efa6d29edd5","doppelt-bejaht","doppelt bejaht","2009-01-01T00:00:00.000Z","études pour orchestre sans chef","studies for orchestra without conductor","Musique instrumentale d'ensemble (Musique orchestrale)","Instrumental ensemble music (Orchestral music)",[],{"id":452,"slug":453,"title":454,"duration":455,"publishingStartDate":456,"publishingEndDate":456,"descriptionFr":457,"descriptionEn":458,"cardDescription":457,"style":366,"styleEn":367,"editor":11,"tags":459},"91bbe4c9-03cd-45bf-8633-d7f79f046b7c","einraumung","einräumung",1,"2002-01-01T00:00:00.000Z","pour violon, alto et violoncelle solistes simultanés","for violin, viola and cello simultaneous soloists",[],{"id":461,"slug":462,"title":463,"duration":280,"publishingStartDate":464,"publishingEndDate":464,"descriptionFr":465,"descriptionEn":466,"cardDescription":465,"style":467,"styleEn":468,"editor":469,"tags":470},"64ef2304-d2a1-4984-8172-3ad563da0e5d","entfernte-erganzung","entfernte ergänzung","2012-01-01T00:00:00.000Z","pour quatre (trois ou deux) guitares","for four (three or two) guitars","Musique de chambre (Autre quatuor à cordes)","Chamber music (Non-standard string quartet)","édition du compositeur",[],{"id":472,"slug":473,"title":474,"duration":167,"publishingStartDate":475,"publishingEndDate":475,"descriptionFr":476,"descriptionEn":477,"cardDescription":476,"style":478,"styleEn":479,"editor":469,"tags":480},"39400423-3c23-4d12-9731-b5f54f05ca4a","faux-faux-faux-bourdon","faux faux faux bourdon","2016-01-01T00:00:00.000Z","pour clarinette basse soliste avec accompagnement","for solo bass clarinet with accompaniment","Musique concertante (Clarinette et petit ensemble jusqu'à 9 instruments)","Concertant music (Clarinet and small ensemble up to 9 instruments)",[],{"id":482,"slug":483,"title":484,"duration":167,"publishingStartDate":485,"publishingEndDate":485,"descriptionFr":486,"descriptionEn":487,"cardDescription":486,"style":488,"styleEn":489,"editor":469,"tags":490},"66d83003-2b4b-4fb4-b7f5-11ea5bb38d25","doppelt-und-dreifach-determiniert","doppelt und dreifach determiniert","2017-01-01T00:00:00.000Z","pour batteur avec cinq tom-toms","for drummer with five tom-toms","Musique soliste (sauf voix) (Percussions solo)","Solo (excluding voice) (Solo percussion)",[],{"id":492,"slug":493,"title":494,"duration":156,"publishingStartDate":495,"publishingEndDate":495,"descriptionFr":496,"descriptionEn":497,"cardDescription":496,"style":498,"styleEn":499,"editor":469,"tags":500},"b418bef4-9d4f-448f-b48d-954470157a00","konzepte-und-varianten:-rundweg","konzepte und varianten: rundweg","2010-01-01T00:00:00.000Z","pour flûte à bec, violon et violoncelle","for recorder, violin and cello","Musique de chambre (Trio de vent(s) et cordes)","Chamber music (Wind and string trio)",[],{"id":502,"slug":503,"title":503,"duration":156,"publishingStartDate":504,"publishingEndDate":504,"descriptionFr":505,"descriptionEn":506,"cardDescription":505,"style":507,"styleEn":508,"editor":11,"tags":509},"e336c42e-bb90-4de2-b3df-e47390f94006","pnw","2003-01-01T00:00:00.000Z","pour huit violoncelles et cinq contrebasses","for eight cellos and five double basses","Musique instrumentale d'ensemble (Ensemble à cordes)","Instrumental ensemble music (String ensemble)",[],{"id":511,"slug":512,"title":513,"duration":92,"publishingStartDate":514,"publishingEndDate":514,"descriptionFr":515,"descriptionEn":516,"cardDescription":515,"style":517,"styleEn":518,"editor":469,"tags":519},"6e30ca38-bf5f-4de1-b5ec-40168d8cc0f1","difference-negligeable","difference négligeable","2018-01-01T00:00:00.000Z","pour violoncelle et guitare","for cello and guitar","Musique de chambre (Autre duo de cordes)","Chamber music (Other string duo)",[],{"id":521,"slug":522,"title":523,"duration":70,"publishingStartDate":514,"publishingEndDate":514,"descriptionFr":524,"descriptionEn":525,"cardDescription":524,"style":526,"styleEn":527,"editor":469,"tags":528},"66ffb53f-fd03-49da-88a1-3f5e05d754a6","double-12","double","pour clarinette, batterie, guitare, piano et violoncelle","for clarinet, drum kit, guitar, piano and cello","Musique de chambre (Autre quintette de diverses familles)","Chamber music (Other quintet with diverse instrumentation)",[],{"id":530,"slug":531,"title":532,"duration":92,"publishingStartDate":533,"publishingEndDate":533,"descriptionFr":534,"descriptionEn":535,"cardDescription":534,"style":536,"styleEn":537,"editor":469,"tags":538},"f3527ad6-cdec-4622-9296-7200d25c79e8","don't-kill-me-i-am-beautiful","don’t kill me, i am beautiful","2019-01-01T00:00:00.000Z","pour clarinette basse, petite batterie, piano et violoncelle","for bass clarinet, small drum kit, piano and cello","Musique de chambre (Quatuor à vent, percussion, clavier et cordes)","Chamber music (Wind, percussion, keyboard and string quartet)",[],{"id":540,"slug":541,"title":542,"duration":92,"publishingStartDate":543,"publishingEndDate":543,"descriptionFr":544,"descriptionEn":545,"cardDescription":544,"style":85,"styleEn":86,"editor":469,"tags":546},"285956dc-bd1b-4378-9382-1026347c1d4e","kuboa","kuboå","2015-01-01T00:00:00.000Z","pour voix, clarinette, percussion, guitare, piano et violoncelle","for voice, clarinet, percussion, guitar, piano and cello",[],{"id":548,"slug":549,"title":550,"duration":156,"publishingStartDate":495,"publishingEndDate":495,"descriptionFr":103,"descriptionEn":104,"cardDescription":103,"style":551,"styleEn":552,"editor":469,"tags":553},"d02d941e-394f-47fc-908f-244a1606124a","konzepte-und-varianten:-ausgang","konzepte und varianten: ausgang","Musique instrumentale d'ensemble (Musique instrumentale d'ensemble)","Instrumental ensemble music (Instrumental ensemble music)",[],{"id":555,"slug":556,"title":557,"duration":558,"publishingStartDate":559,"publishingEndDate":559,"descriptionFr":560,"descriptionEn":561,"cardDescription":560,"style":488,"styleEn":489,"editor":469,"tags":562},"f776776d-a4be-4275-a445-4c6820af0331","ausnahmslos-ausnahmen","ausnahmslos ausnahmen",24,"2013-01-01T00:00:00.000Z","pour batterie","for drum set",[],{"id":564,"slug":565,"title":566,"duration":421,"publishingStartDate":485,"publishingEndDate":485,"descriptionFr":567,"descriptionEn":568,"cardDescription":567,"style":569,"styleEn":570,"editor":469,"tags":571},"7e9f1641-1eb2-4fe9-acbd-ae46bed86ad3","flashback-(mit-ruckschaufehlern)","flashback (mit rückschaufehlern)","pour joueur de vibraphone (avec deux vibraphones), un guitariste (guitare électrique en quart de ton) et un pianiste (piano et clavier)","for vibraphone player (with two vibraphones), a guitarist (quarter-tone electric guitar) and a pianist (piano and keyboard)","Musique de chambre (Autre trio de diverses familles)","Chamber music (Trio with diverse instruments)",[],{"id":573,"slug":574,"title":575,"duration":249,"publishingStartDate":543,"publishingEndDate":543,"descriptionFr":576,"descriptionEn":577,"cardDescription":576,"style":578,"styleEn":579,"editor":469,"tags":580},"fcf99d30-62a4-4833-87a4-fc7004583429","stillmoving","still/moving","pour clarinette et violoncelle","for clarinet and cello","Musique de chambre (Duo bois et cordes)","Chamber music (Woodwind and string duo)",[],{"id":582,"slug":583,"title":583,"duration":324,"publishingStartDate":514,"publishingEndDate":514,"descriptionFr":584,"descriptionEn":585,"cardDescription":584,"style":586,"styleEn":587,"editor":469,"tags":588},"bcb8f2ce-985c-41b1-aa18-41230c185960","k141","pour piano","for piano","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)",[],{"id":590,"slug":591,"title":591,"duration":592,"publishingStartDate":533,"publishingEndDate":533,"descriptionFr":524,"descriptionEn":593,"cardDescription":524,"style":526,"styleEn":527,"editor":469,"tags":594},"5349708d-7fc7-4aaa-acca-47a40e1bb8dc","un-umkehr",3,"for clarinet, drums, guitar, piano and cello",[],{"id":596,"slug":597,"title":598,"duration":280,"publishingStartDate":599,"publishingEndDate":599,"descriptionFr":600,"descriptionEn":601,"cardDescription":600,"style":602,"styleEn":603,"editor":469,"tags":604},"bf5d608b-dd07-4cc7-af74-d07b948a079f","nachtstuck-mit-sonne","nachtstück mit sonne","2014-01-01T00:00:00.000Z","pour guitare à dix cordes soliste avec accompagnement","for ten-string guitar soloist with accompaniment","Musique concertante (Cordes pincées et ensemble/orchestre)","Concertant music (Plucked strings and ensemble/orchestra)",[],{"id":606,"slug":607,"title":608,"duration":167,"publishingStartDate":533,"publishingEndDate":533,"descriptionFr":524,"descriptionEn":593,"cardDescription":524,"style":526,"styleEn":527,"editor":469,"tags":609},"6dbc21f9-aa76-4167-96d9-7c794e3122e0","nahe-null","nahe null",[],["Reactive",611],{"$si18n:cached-locale-configs":612,"$si18n:resolved-locale":33,"$snuxt-seo-utils:routeRules":617,"$ssite-config":618},{"fr":613,"en":615},{"fallbacks":614,"cacheable":40},[],{"fallbacks":616,"cacheable":40},[],{"head":-1,"seoMeta":-1},{"_priority":619,"currentLocale":623,"defaultLocale":623,"description":624,"env":625,"name":626,"url":627},{"name":620,"env":621,"url":622,"description":620,"defaultLocale":622,"currentLocale":622},-3,-15,-2,"fr-FR","Ressources IRCAM est une plateforme de ressources musicales et sonores, développée par l'IRCAM, pour les artistes, les chercheurs et les passionnés de musique.","production","Ressources IRCAM","https://ressources.ircam.fr",["Set"],["ShallowReactive",630],{"/composer/mathias-spahlinger/works":-1,"flat pages":-1},"/fr/composer/mathias-spahlinger/worksByDate"]