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On the occasion of the publication of "L’orchestre au travail. Interactions, négociations, coopérations" (Ravet, 2015) which is based on the observation of several conductors and several ensembles in the process of constructing a musical performance, the workshop/encounter takes on the subject of the practice of orchestral conducting as a process of creation. What happens concretely during this collective work?
How are the musical and social elements inextricably associated? This what is to be discussed in the company of two women who conduct ensembles: Claire Gibault and Dominique My. Gender brings a particular to light the givens of the situation of collective creation, the present-day transformations of this type of process and the function of the orchestral conductor. How is music brought about according to the size of the ensembles and the various types of repertory? What type of authority do the conductors bring to bear? What forms of creativity do they encourage in instrumentalists over the course of rehearsal and performance? This is what is to be analysed in the light of the three conductors’ experience.
Traditional music in southern Vietnam does not sit idly on the sidelines of cosmopolitanism, globalization, and modernity. Musicians travel from Long Xuyên to Hồ Chí Minh City and then fly to Bangkok, Dubai, and Seattle, interacting with a
8 octobre 2015 27 min
8 octobre 2015 33 min
In the rich landscape of studies about performance as a creative process, the investigation of such preliminary phases that go before the performance itself (i.e. the study process or the rehearsal practice) presented themselves like a more
8 octobre 2015 30 min
Most research on the creative process of Anton Webern’s music has focused on the sketches, thus emphasizing the compositional process in the narrower sense. Less attention has been paid to the fact that especially for most of the works comp
8 octobre 2015 31 min
The analysis of creative process in music through written sources intertwines often with hermeneutics [Kinderman 2009], in a way not dissimilar from philological studies, whose basic purpose ―although many attempts to delimit or to unbind i
8 octobre 2015 28 min
The paper aims to gain fresh perspectives and to challenge standard thinking on Ligeti’s appropriation of Romanian folk music, drawing on very recent findings at the Sacher archives. By absorbing Romanian folk music in various ways during t
8 octobre 2015 24 min
The researcher who desires to reconstruct the genesis of a particular work of Beethoven often bumps into the problem of the lack of correspondent sketches or drafts. Several examples – such as the op. 27, no. 2 piano sonata (first and secon
8 octobre 2015 30 min
Le design sonore est un champ du design relativement récent qui consiste principalement à prendre en compte la dimension sonore d’un objet au cours de son processus de conception – le terme objet pouvant être pris au sens d’objet tangibl
8 octobre 2015 29 min
8 octobre 2015 14 min
8 octobre 2015 29 min
Simultaneous translation: Marie-Louise Diomède
8 octobre 2015 28 min
Dans cette communication, je me propose de croiser deux problématiques, celle des relations compositeur-interprète dans le processus compositionnel, relations dans lesquelles le positionnement de Xenakis s’avère assez particulier par rappor
8 octobre 2015 28 min
Exformation Trilogy est un cycle de trois pièces mixtes que le compositeur suédois Jesper Nordin projette de composer entre 2014 et 2017 en utilisant Gestrument, une interface de contrôle gestuel qu’il a lui-même développée. Sculpting the A
8 octobre 2015 33 min
Simultaneous translation: Marie-Louise Diomède
8 octobre 2015 14 min
This paper examines works for piano and electronics that use technology to expand and subvert the body and pianistic technique of the pianist. It draws upon the fledgling research field of auto-ethnographic examination of composer-performer
8 octobre 2015 28 min
In the last decades, sketch studies and musical philology have been expanding their object of study to include non-conventional notation and alternative supports for the diffusion of the work of art, such as tapes or pieces of code (e. g. H
8 octobre 2015 25 min
In traditional First Nations musical expression, the formal structures of music often hold both spiritual and political meanings beyond the songs themselves. As frameworks for composition most often referred to as “song making” these forms
8 octobre 2015 29 min
8 octobre 2015 01 h 48 min
One landmark in the reception history of Beethoven’s Ninth Symphony is Thomas Mann’s novel Doktor Faustus, in which Mann places his fictional composer Adrian Leverkühn into the role of the Faustian figure. Leverkühn’s culminating work is
8 octobre 2015 29 min
8 octobre 2015 01 h 12 min
Traduction simultanée : Marie-Louise Diomède
8 octobre 2015 01 h 12 min
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