Les médias liés à cet évènement

Mettre en temps une structure musicale : l'activité de composition de Voi(rex) par Philippe Leroux - Nicolas Donin, Jacques Theureau

14 avril 2005 01 h 01 min

Mettre en temps une structure musicale : l'activité de composition de Voi(rex) par Philippe Leroux - Nicolas Donin, Jacques Theureau

14 avril 2005 24 min

L'estimation de fréquences fondamentales multiples

12 mai 2005 52 min

La harpe électroacoustique

4 février 2005 01 h 18 min

Utilisation de Modalys pour le projet VoxStruments, lutherie numérique intuitive et expressive - Nicholas Ellis, Joël Bensoam

17 octobre 2007 49 min

Présentation des travaux l'équipe PdS dans le cadre du projet européen CLOSED : "Closing the Loop of Sound Evaluation and Design" - Olivier Houix

27 juin 2007 01 h 12 min

Sparse overcomplete methods, matching pursuit and basis pursuit - Bob L. Sturm

11 juillet 2007 48 min

Transformations de type et de nature de la voix - Snorre Farner, Axel Roebel, Xavier Rodet

12 septembre 2007 01 h 07 min

Segmentations et reconnaissances automatiques de phonèmes de la voix, temps différé, temps réel - Pierre Lanchantin, Julien Bloit, Xavier Rodet

19 septembre 2007 01 h 13 min

Synthèse de la parole à partir du texte et construction d'une base de données d'unités de la voix - Christophe Veaux, Grégory Beller, Xavier Rodet

26 septembre 2007 01 h 00 min

Projet ECOUTE - Jerome Barthelemy, Nicolas Donin, Geoffroy Peeters, Samuel Goldszmidt

3 octobre 2007 01 h 12 min

Projet MusicDiscover - David Fenech Saint Genieys

10 octobre 2007 01 h 10 min

Projet CASPAR - Jerome Barthelemy, Alain Bonardi

24 octobre 2007 50 min

Projet CONSONNES 1ère partie - René Caussé, Vincent Freour, David Roze

21 novembre 2007 57 min

Principles of Real-Time Programming

0:00/0:00

Real-time programming is a software engineering discipline that has been around ever since the dawn of digital computing.
The dream of real-time programmers is to unlock the virtually unlimited potential of software for embedded computer systems -digital computers that are supposed to behave like analog devices. The perfect embedded computer system is invisibly hybrid, it works according to the largely unidentified laws of embedded software but acts according to the laws of physics. The critical interface between embedded software and physics is real-time and yet, while physical processes evolve in real-time, software processes do not. Only the embedded computer system as a whole - em- bedded software and hardware- determines a complex notion of so-called soft-time to which the software processes adhere: mapping soft-time to real-time is the art of real-time programming.
We discuss various real-time programming models that support the development of real-time programs based on different abstractions of soft-time. We informally introduce a real-time process model to study (1) the compositionality of the real-time programming models and (2) the semantics of real-time programs developed in these models.

  • -
    Christoph Kirsch is full professor and holds a chair at the Department of Computer Sciences of the University of Salzburg, Austria. Since 2008 he is also a visiting scholar at the Department of Civil and Environmental Engineering of the University of California, Berkeley.
    He received his Dr.Ing. degree from Saarland University, Saarbruecken, Germany, in 1999 while at the Max Planck Institute for Computer Science. From 1999 to 2004 he worked as Postdoctoral Researcher at the Department of Electrical Engineering and Computer Sciences of the University of California, Berkeley. His research interests are in concurrent programming and systems, virtual execution environments, and embedded software. Dr. Kirsch co-invented the Giotto and HTL languages, and lead the JAviator UAV project for which he received an IBM faculty award in 2007. He co-founded the International Conference on Embedded Software (EMSOFT), served as ACM SIGBED chair from 2011 until 2013, and is currently associate editor of ACM TODAES.

intervenants

informations

Type
Conférence scientifique et/ou technique
durée
52 min
date
11 avril 2014

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

heures d'ouverture

Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche

accès en transports

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique

Copyright © 2022 Ircam. All rights reserved.