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Visualization of musical structures is a powerful tool to assist composers and improvisers in their creative processes. Interpreting the Tonnetz as a simplicial complex it is possible to visualize notes and chords as subcomplexes endowed with particular topological and geometric properties. The software HexaChord developed at the IRCAM by Louis Bigo will be used to show how the topological information provided by the real time interaction among the composer and the "simplicial Tonnetz" can be used either as a didactical instrument and a facilitator.
In addition to the planar representation of the Tonnetz, a 3-dimensional version obtained considering the consonance relationship among the theme and the harmony will be described. The anisotropic and dynamical nature of this model allow to identify sonorities as Tonnetz's extended shapes, characterized by their extrinsic and intrinsic geometrical features.
The manner in which composers overcome the agony of the blank slate in notation-based music composition is conditioned by many factors. The size of the staff on the page, the number of line breaks, and the means of note entry (handwritten,
29 mai 2015 44 min
The study of the Dunhuang pipa scores, a set of manuscripts from Xth century, written with a system of tablature for the pipa lute, has been facilitated by the development of a dedicated software program. It performs their trans-notation on
29 mai 2015 41 min
This paper explores the idea of live coding programming environments as notational systems. The improvisational practice of live coding as combining both composition and performance is introduced and selected systems are discussed. The auth
29 mai 2015 41 min
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