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The first prize of 2500 euros is awarded to Simon Colton for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philippe Langlois, Frank Madlener, Miller Puckette and Anna Xambó, at the first edition of the generative music prize, organized by the IRCAM forum.
The Parley Classical Music Composition System
Parley is an AI system that we hope will be taken seriously as a classical music composer in its own right, one day. This involves solving numerous technical problems, but also raises societal issues around creative personhood, which we have begun to explore in a philosophical manner. The technical approach is neuro-symbolic, where we have combined the power of deep learning with the control afforded by rule-based systems. In particular, Parley can listen to the music it produces using neural listening models which tell it how each bar sounds in terms of genre, emotion, mood and situation. It can use the information about the sound of the music to both communicate particular elements as talking points and to improve the music to sound better in a particular respect. Parley celebrates and communicates the musical composition process, by producing various drafts of a composition as it is being made, and describing generative and editing processes along the way. It produces a video performance of each piece with talking points in margin notes, to stimulate discussion and user involvement in the music. Parley has been ported to a Colab notebook available at tinyurl.com/parleyV2 and is available for anyone to use.
The second prize of 1000 euros is awarded to Martin Heinze for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philipp
March 22, 2024 04 min
Generative audio synthesis is a process where sound is automatically created or modified by a system according to a set of algorithms or rules. This technique involves procedural algorithms driving self evolving soundscapes, audio effects /
March 22, 2024 30 min
This practice-based research presentation will draw on examples from my own experience using Somax - an environment developed by the Musical Representation team at IRCAM - in directing and conducting student ensembles in AI-driven co-creat
March 22, 2024 33 min
The Generative Music Prize is an international competition that highlights the creative potential of music generated with algorithms. This first edition is organized by IRCAM to mark the 30th anniversary of the IRCAM Forum. The first pr
March 22, 2024 27 min
The third prize of 500 euros is awarded to Axel Chemla--Romeu-Santos for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndo
March 22, 2024 05 min
The team will be presenting the API platform which, using seemingly simple technologies, makes IRCAM expertise accessible to all creators and industrialists. Launched in November 2023, the ircamamplify.io platform now has around 20 building
March 22, 2024 30 min
March 22, 2024 44 min
This talk will present 3D audio technologies developed at Noise Makers for post-production and immersive experiences. After a brief introduction on binaural, ambisonics and auralization, practical use cases will be demonstrated through t
March 22, 2024 28 min
From 2000-03, a team of IRCAM researchers led the CUIDADO Project, working with an international assembly of academic, corporate, and governmental actors to establish an industry standard for describing audio content in digital applications
March 22, 2024 30 min
March 22, 2024 01 h 04 min
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