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Numerous Lisp-based musical systems have been developed and used in the past. However, Lisp usage has been progressively discontinued with the development of new branches in mainstream computer music such as digital signal processing, real-time systems or distributed multimedia computing.
The power and expressivity of Lisp make it a valuable language to musicians for exploring high-level compositional processes, and this language remains a fundamental support for computer-aided composition research and creation at Ircam.
In this session we propose to present an overview of current computer-aided music composition projects, and discuss with ELS attendees the challenges, issues and perspectives for using Lisp in aforementioned music technologies.
May 6, 2014 30 min
May 6, 2014 51 min
Massimiliano Ghilardi
May 6, 2014 30 min
Sergio Alvarez-Napagao
May 6, 2014 31 min
Franco Raimondi, Giuseppe Primiero
May 6, 2014 29 min
Pedro Ramos
May 6, 2014 25 min
Jean-Paul Barthès
May 6, 2014 33 min
Kai Selgrad
May 6, 2014 33 min
We send probes into the topic hypercube bounded by machine learning, parallelism, software and contests, demonstrate existing and sketch future Lisp infrastructure, pin the future and foreign arrays down. We take a seemingly random walk
May 6, 2014 56 min
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