Moreover, electroacoustic techniques such as filtering, harmonic shifting, distortion and looping are modelled by using acoustic instrumental means. To achieve this, I made use of conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques) or I coupled conventional instruments with ‘unconventional objects’, like boxes, plastic or metal cards, which are treated as extensions of the conventional instruments. This allows a more effective development, control and transformation of the sound