information

Type
Séminaire / Conférence
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
28 min
date
June 13, 2019
program note
Spectralisms

speakers

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Shifting the Plane of Audition to Analyze the Role of Acoustic Resonance in the Works of Morton Feldman and Alvin Lucier - Daniel Fox

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A Spatio-Timbral Analysis of Keith Hamel’s Touch for piano and interactive electronics (2012): A Contribution to Sound Field Studies in Musicology - Martin Ritter

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Metaphors for changing sound in spectral music: the potential of the IRiMaS project - Robert Adlington

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Entropy and the Anatomy of Time: Composing with Spectral Entropy - Yigit Kolat

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Spectral Atoms: An Expanded Approach to the Analysis of Spectral Music - Timothy Bausch

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'...et une réinvention mélodique': Melody and Liminality in Spectral Music - James Donaldson

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Process philosophy overcoming itself: Modeling Grisey’s Vortex Temporum (1994-96) - Joshua Banks Mailman

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Fanny Vicens, Jean-Etienne Sotty (Duo XAMP) and Pascale Criton in conversation with Robert Hasegawa - Robert Hasegawa, Pascale Criton

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Frances-Marie Uitti (cello) in conversation with Sharon Kanach - Sharon Kanach

Giacinto Scelsi, Trilogia – The three Ages of Man (1956-65) for cello

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Grisey’s Time and its Conceptual Implications - Dylan J. Principi

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Looking into the heart of light: Metaphors of Light in Kaija Saariaho’s Notes on Light

June 13, 2019 25 min

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