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Following Machinations (2000) and Avis de tempête (2004), Georges Aperghis returns to IRCAM with a new work, Dans le mur, an exclusively instrumental piece for piano and sound tape, where theatricality, an understanding of situations, and the physical commitment of the performer are nonetheless central to the work. A dozen electronic tableaux that could be seen as clusters of fragments from great piano literature of the 19th century succeed one another. Each tableaux is a kind of wall that the soloists tries to affect, reacting with movements that both attack and deny the surface while trying to follow the bowing of the surface. This work endeavors to evoke the movements of an urban graffiti artist via the pianist's playing.
A documentary written and directed by Benoît Martin and Nicolas Donin.
Espace de projection, novembre 2007
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Après _Machinations_ (2000) et _Avis de tempête_ (2004), Georges Aperghis revient à l'Ircam pour une nouvelle création, _Dans le mur_, œuvre purement instrumentale (pour piano et bande sonore) où la théâtralité, le sens des situations et l'
15 min
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