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Generative audio synthesis is a process where sound is automatically created or modified by a system according to a set of algorithms or rules. This technique involves procedural algorithms driving self evolving soundscapes, audio effects / structures.
On this workshop , we will introduce various efficient models to create autonomously evolving sonic textures. For an in-depth look, we will offer hands on demonstrations of generating;
-polyphonic sound textures,
-probabilistic models which generate complex audio modulation and continuous midi data,
-self organizing waveform structures,
-sound synthesis derived of simulation scenes, such as gravitational space or oceanic waves.
-Sonic interactions with 3D architectures presenting out of time data.
Led by sonicLAB/sonicPlanet, with over a decade of experience delivering generative audio tools to the audio industry, this workshop is an opportunity to delve into the art and science of generating soundscapes that evolve autonomously.
The second prize of 1000 euros is awarded to Martin Heinze for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philipp
22 mars 2024 04 min
The first prize of 2500 euros is awarded to Simon Colton for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philippe
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This practice-based research presentation will draw on examples from my own experience using Somax - an environment developed by the Musical Representation team at IRCAM - in directing and conducting student ensembles in AI-driven co-creat
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The Generative Music Prize is an international competition that highlights the creative potential of music generated with algorithms. This first edition is organized by IRCAM to mark the 30th anniversary of the IRCAM Forum. The first pr
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The third prize of 500 euros is awarded to Axel Chemla--Romeu-Santos for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndo
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This talk will present 3D audio technologies developed at Noise Makers for post-production and immersive experiences. After a brief introduction on binaural, ambisonics and auralization, practical use cases will be demonstrated through t
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From 2000-03, a team of IRCAM researchers led the CUIDADO Project, working with an international assembly of academic, corporate, and governmental actors to establish an industry standard for describing audio content in digital applications
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22 mars 2024 01 h 04 min
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1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 Ă 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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