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With electronic music composition, curiosity, improvisation, and intuition are essential elements for creating interesting and conversational music. In addition to one's musical medium, having a “feel” for its use gives rise to expressiveness. Yet, similarly to how people are attracted to playing certain instruments over others, the tools an electronic musician chooses can greatly influence the music they will produce.
The conceptual framework of musical livecoding is an abstraction through which we improvise, compose, and interact with the finest details of musical content. It is an intriguing way of developing an emotive sense of linear, text-based programming. To make livecoded music, one simultaneously exerts precise control over musical phenomena while abstracting that knowledge to develop an intuitive sense of control. Somewhere in-between is found the “glue” which unites these musical ends into a sort of Möbius strip, and when finished, you have a complete object: a piece of music.
An inventor at heart, Ashlae Blūme is a musician, composer, and technologist with a penchant for the unknown. She uses sound and polymedia to explore social constructs and deconcept conventional notions of "should."
vvvv is a visual programming environment with a focus on interactive media, in development since around 2000. Initially greatly influenced by Max and PD, we created a new system, because we had a lot of our own ideas as to how visual progra
6 mars 2020 25 min
6 mars 2020 28 min
Return from India: representation of temperaments in the raga universe The Snail in the land of 22 shrutis Robert Piéchaud accompanied the composer Floy Krouchi to the Bass Holograms residence in Bombay and Pune last January. Two direc
6 mars 2020 35 min
Exposé des recherches menées en amont de l’exposition De Tintinnabulis (curatée par Émilie d’Ornano à KOMMET, Lyon, 2019) sur l'usage et la portée symbolique des cloches. De l’interprétation, de leur sonorité à de leur instrumentalisation p
6 mars 2020 26 min
The emergence of immersive technologies, such as Virtual Reality (VR), might change the way people produce and consume music in the modern age. However, little research has regarded these technologies’ influence on the users’ perception and
6 mars 2020 21 min
La technologie audio intelligente d'iZotope aide les musiciens, les producteurs de musique et les ingénieurs de la post-production audio à se concentrer sur leur métier plutôt que de passer trop de temps avec la technologie qui le sous-tend
6 mars 2020 48 min
En résidence dans le cadre du dispositif de recherche en création, l’artiste Eric Raynaud (Fraction) présente un aspect des résultats de la résidence, le device maxforlive « Spat4Sat », une version intégrée de Spat5 à Live Ableton, tirant p
6 mars 2020 36 min
« Translanguaging » est le nom d’une installation interactive qui explore le langage à travers le son, l’image, et le geste à l’aide de l’apprentissage par machine (machine learning). Le titre « translanguaging » met en question les frontiè
6 mars 2020 24 min
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