informations

Type
Ensemble de conférences, symposium, congrès
Lieu de représentation
Ircam, Salle Igor-Stravinsky (Paris)
durée
06 min
date
22 mars 2024

The first prize of 2500 euros is awarded to Simon Colton for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philippe Langlois, Frank Madlener, Miller Puckette and Anna Xambó, at the first edition of the generative music prize, organized by the IRCAM forum.

The Parley Classical Music Composition System
Parley is an AI system that we hope will be taken seriously as a classical music composer in its own right, one day. This involves solving numerous technical problems, but also raises societal issues around creative personhood, which we have begun to explore in a philosophical manner. The technical approach is neuro-symbolic, where we have combined the power of deep learning with the control afforded by rule-based systems. In particular, Parley can listen to the music it produces using neural listening models which tell it how each bar sounds in terms of genre, emotion, mood and situation. It can use the information about the sound of the music to both communicate particular elements as talking points and to improve the music to sound better in a particular respect. Parley celebrates and communicates the musical composition process, by producing various drafts of a composition as it is being made, and describing generative and editing processes along the way. It produces a video performance of each piece with talking points in margin notes, to stimulate discussion and user involvement in the music. Parley has been ported to a Colab notebook available at tinyurl.com/parleyV2 and is available for anyone to use.

intervenants

Les médias liés à cet évènement

Second Prize

The second prize of 1000 euros is awarded to Martin Heinze for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philipp

22 mars 2024 04 min

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Presentation of sonicLab - Sinan Bökesoy

Generative audio synthesis is a process where sound is automatically created or modified by a system according to a set of algorithms or rules. This technique involves procedural algorithms driving self evolving soundscapes, audio effects /

22 mars 2024 30 min

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AI, ensemble practice and the sound object as an 'object of thought’: rethinking knowledge distribution between engineering sciences and the arts - Hans Kretz

This practice-based research presentation will draw on examples from my own experience using Somax - an environment developed by the Musical Representation team at IRCAM - in directing and conducting student ensembles in AI-driven co-creat

22 mars 2024 33 min

Vidéo

Generative Music Award Ceremony - Grégory Beller, Simon Colton, Martin Heinze, Axel Chemla

The Generative Music Prize is an international competition that highlights the creative potential of music generated with algorithms. This first edition is organized by IRCAM to mark the 30th anniversary of the IRCAM Forum. The first pr

22 mars 2024 27 min

Vidéo

Third prize

The third prize of 500 euros is awarded to Axel Chemla--Romeu-Santos for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndo

22 mars 2024 05 min

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ircamamplify.io: IRCAM's best technology via API, for a sound web, a technical demonstration of the range of possibilities - Frederic Amadu, Baptiste Vericel, Romain Simiand

The team will be presenting the API platform which, using seemingly simple technologies, makes IRCAM expertise accessible to all creators and industrialists. Launched in November 2023, the ircamamplify.io platform now has around 20 building

22 mars 2024 30 min

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Launch of Combobulator - Ben Cantil, Martin Parker

22 mars 2024 44 min

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Presentation of Noise Makers - Charles Verron

This talk will present 3D audio technologies developed at Noise Makers for post-production and immersive experiences. After a brief introduction on binaural, ambisonics and auralization, practical use cases will be demonstrated through t

22 mars 2024 28 min

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'What’s in a name?' IRCAM, MPEG-7, and the Standardization of Audio Description - Landon Morrison

From 2000-03, a team of IRCAM researchers led the CUIDADO Project, working with an international assembly of academic, corporate, and governmental actors to establish an industry standard for describing audio content in digital applications

22 mars 2024 30 min

Vidéo

Generative Music Roundtable - Grégory Beller, Antoine Caillon, Philippe Esling, Miller Puckette, Antònia Folguera Bañeres, Catherine Stewart

22 mars 2024 01 h 04 min

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