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Mettre en temps une structure musicale : l'activité de composition de Voi(rex) par Philippe Leroux - Nicolas Donin, Jacques Theureau

April 14, 2005 01 h 01 min

Mettre en temps une structure musicale : l'activité de composition de Voi(rex) par Philippe Leroux - Nicolas Donin, Jacques Theureau

April 14, 2005 24 min

L'estimation de fréquences fondamentales multiples

May 12, 2005 52 min

La harpe électroacoustique

February 4, 2005 01 h 18 min

Utilisation de Modalys pour le projet VoxStruments, lutherie numérique intuitive et expressive - Nicholas Ellis, Joël Bensoam

October 17, 2007 49 min

Présentation des travaux l'équipe PdS dans le cadre du projet européen CLOSED : "Closing the Loop of Sound Evaluation and Design" - Olivier Houix

June 27, 2007 01 h 12 min

Sparse overcomplete methods, matching pursuit and basis pursuit - Bob L. Sturm

July 11, 2007 48 min

Transformations de type et de nature de la voix - Snorre Farner, Axel Roebel, Xavier Rodet

September 12, 2007 01 h 07 min

Segmentations et reconnaissances automatiques de phonèmes de la voix, temps différé, temps réel - Pierre Lanchantin, Julien Bloit, Xavier Rodet

September 19, 2007 01 h 13 min

Synthèse de la parole à partir du texte et construction d'une base de données d'unités de la voix - Christophe Veaux, Grégory Beller, Xavier Rodet

September 26, 2007 01 h 00 min

Projet ECOUTE - Jerome Barthelemy, Nicolas Donin, Geoffroy Peeters, Samuel Goldszmidt

October 3, 2007 01 h 12 min

Projet MusicDiscover - David Fenech Saint Genieys

October 10, 2007 01 h 10 min

Projet CASPAR - Jerome Barthelemy, Alain Bonardi

October 24, 2007 50 min

Projet CONSONNES 1ère partie - René Caussé, Vincent Freour, David Roze

November 21, 2007 57 min

From the Ear to the Brain and Back: Rethinking the Neural Code for Sound

0:00/0:00

Laurel Carney is invited by the PDS team in the context of the ANR project INSPECTSYN to present her novel theory about the neural coding of sounds, in particular speech, by the auditory system (Look at the figure: Which neural mechanisms provide the magenta curve from the input spectrum?).

This theory, which fundamentally challenges our "usual" way of thinking about sound, is shaking up not only the auditory neuroscience community, but also many other disciplinary fields, as its implications invite us to reconsider the way audio signal descriptors are designed as well as how hearing aids or cochlear implants algorithms work.

Abstract: This talk will provide examples of how we are using computational models to simulate and test our ideas about how the auditory nervous system functions. For example, the nonlinearities of the inner ear are often considered to be obstacles that the central nervous system has to overcome to decode neural responses to sounds. Using a model that includes these nonlinearities, I will describe how saturation of the inner-hair-cell response and of the IHC-auditory-nerve synapse are actually beneficial to the neural encoding of complex sounds such as speech. These nonlinearities set up contrast in the depth of neural-fluctuations in auditory-nerve responses along the tonotopic axis, referred to as neural fluctuation contrast (NFC). Physiological and psychophysical support for the NFC coding hypothesis will be presented, including model predictions of speech intelligibility in listeners with sensorineural hearing loss. Also, I will present a framework based on the NFC code for understanding how the medial olivocochlear (MOC) efferent system may contribute to the coding of complex sounds by enhancing NFC along the tonotopic axis, enabling robust encoding of complex sounds across a wide range of sound levels and in the presence of background noise.

Biography: Laurel Carney is Professor of Biomedical Engineering and Neuroscience at the University of Rochester since 2007 and director of the auditory neuroscience laboratory. After completing a PhD in electrical engineering at the University of Wisconsin and a postdoctoral fellowship in psychology at the University of Pennsylvania, she took several faculty positions at Boston University and Syracuse University. She has received numerous awards and prizes for her research and teaching. She is a fellow of the Acoustical Society of America and the American Institute of Medicine and Biomedical Engineering.

speakers

information

Type
Séminaire / Conférence
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
01 h 28 min
date
May 22, 2024

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