\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":29,"documents":11,"photo":34,"copyrights":36,"slug":37,"hasArticles":38,"type":39,"hasWorks":40,"works":41,"hasBiography":40,"hasWorkcourse":38,"hasAnalyses":38,"hasBooks":38,"hasMonographs":38,"hasPartitions":38,"hasFloraAudios":38,"hasAudios":40,"hasVideos":38},"Ivan","Wyschnegradsky","valid","2024-11-04T00:00:00.000Z","Compositeur français d'origine russe né le 4 mai 1893 à Saint-Pétersbourg, mort le 29 septembre 1979 à Paris.","French composer of Russian descent, born 4 May, 1893 in Saint-Petersburg, died 29 September, 1979 in Paris.","\u003Ch4 id=\"liens-internet\">Liens internet\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Site officiel de l'Association Ivan Wyschnegradsky : \u003Ca href=\"https://www.ivan-wyschnegradsky.fr/fr/\">https://www.ivan-wyschnegradsky.fr/fr/\u003C/a>\u003C/li>\u003Cli>«La microtonalité au piano : le cas Wyschnegradsky », article de Romain Soufflet publié en 2021 sur le site Piano ma non solo : \u003Ca href=\"https://pianomanonsolo.fr/2021/05/14/la-microtonalite-au-piano-le-cas-wyschnegradsky/\">https://pianomanonsolo.fr/2021/05/14/la-microtonalite-au-piano-le-cas-wyschnegradsky/\u003C/a>\u003C/li>\u003C/ul>\n\u003Cp>\u003Cem>(liens vérifiés en octobre 2024)\u003C/em>\u003C/p>\n\u003Ch4 id=\"bibliographie-s-lective\">Bibliographie sélective\u003C/h4>\n\u003Ch5 id=\"textes-d-ivan-wyschnegradsky\">Textes d'Ivan Wyschnegradsky\u003C/h5>\n\u003Cul class=\"list-disc\">\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>Libération du son, Écrits 1916-1979\u003C/em>, textes réunis, présentés et annotés par Pascale Criton, Michèle Kahn : traduction, Paris, Symétrie, 2013\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>La loi de la pansonorité\u003C/em> (1924-1954), Genève, Contrechamps, 1996\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>Une philosophie dialectique de l’art musical\u003C/em> (1936), Franck Jedrzejewski (ed), Paris, L’Harmattan, 2005\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « L’ultrachromatisme et les espaces non octaviants », dans \u003Cem>La Revue Musicale\u003C/em>, n° 290-291, Paris, 1972, pp. 73-130.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Quartertonal music, its possibilities and organic sources », dans \u003Cem>Pro Musica Quaterly\u003C/em>, New-York, 19 octobre 1927, pp. 19-31.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>Manuel d’harmonie à quarts de ton\u003C/em>, Paris, La Sirène musicale, 1932; rééd. Paris, Max Eschig, 1980. Traduit en anglais par N. et R. Kaplan – Editions Underwolf, USA, 2017\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Quelques considérations générales à propos du quatuor à cordes opus 13 », dans \u003Cem>Compositions pour quatuor et trio à cordes d’Ivan Wyschnegradsky\u003C/em>, livret de présentation du CD. Ed. Block, Berlin, 1990.\u003C/li>\u003C/ul>\n\u003Ch5 id=\"textes-sur-ivan-wyschnegradsky\">Textes sur Ivan Wyschnegradsky\u003C/h5>\n\u003Cul class=\"list-disc\">\u003Cli>AGER, Klaus, « Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und rhythmischer Hinsicht », in \u003Cem>Mikrotöne I\u003C/em>, Innsbruck, 1986, pp. 123-126.\u003C/li>\u003Cli>ADER, Lydia, « Microtonal Storm and stress : Georgy Rimsky-Korsakov and quarter-tone music in 1920s soviet Russia », \u003Cem>Tempo\u003C/em> 63 (250) 27-44, Cambridge University Press, 2009.\u003C/li>\u003Cli>ALLENDE-BLIN, Juan, « Ein Gespräch mit Ivan Wyschnegradsky », in \u003Cem>Aleksander Skrjabin und die Skrjabinisten\u003C/em>, Musik-Konzept, 32/33. Munich, 1983, p. 103.\u003C/li>\u003Cli>ARRACHART, Jean-Marc, « La musique, la poésie, les mathématiques », in \u003Cem>Premier Cahier Ivan Wyschnegradsky\u003C/em> (Association Ivan Wyschnegradsky), Paris, 1985, pp. 83-85.\u003C/li>\u003Cli>BALLIF, Claude, « Idéalisme et matérialité », in \u003Cem>La Revue Musicale\u003C/em>, n° 290-291, Paris, Éditions Richard Masse, 1972, p. 5.\u003C/li>\u003Cli>BALLIF, Claude, « Ivan Wyschnegradsky : harmonie du soir », in \u003Cem>Premier Cahier Ivan Wyschnegradsky\u003C/em> (Association Ivan Wyschnegradsky), Paris, 1985, pp. 9-22.\u003C/li>\u003Cli>BALLIF, Claude, « Du Grand Cluster au Micro-tonalisme », in \u003Cem>L’habitant du Labyrinthe\u003C/em>, Pro Musica, 1992, pp. 99-108.\u003C/li>\u003Cli>BANCQUART, Alain, « Imaginaire, combinatoire, Essai sur la composition en micro-intervalles », in \u003Cem>Les Cahiers du CIREM\u003C/em>, n°28-29, P.U.T., Tours, 1994, p. 9.\u003C/li>\u003Cli>BANCQUART, Alain, \u003Cem>Musique : Habiter le temps\u003C/em>, Lyon, Symétrie, 2003, p. 28 à 43.\u003C/li>\u003Cli>BARTHELMES, Barbara, « Musik und Religion im russischen Symbolismus », in De La Motte (ed), \u003Cem>Musik und Religion\u003C/em>, Laaber, 1995, pp. 139-162.\u003C/li>\u003Cli>CARRILLO, Julian, « Busoni, Wyschnegradsky y Haba (1961) », in \u003Cem>Errores universales en musica y fisica musical\u003C/em>, Seminario de cultura mexicana, Mexico, 1967, pp. 55-59.\u003C/li>\u003Cli>COFFY, Henri-Pierre, « Un musicien de l’espace », in \u003Cem>Inter-hebdo\u003C/em>, Paris, 28 mai 1965, p. 32.\u003C/li>\u003Cli>CONTI, Luca, \u003Cem>Suoni di una terra incognita. Il microtonalismo in Nord America (1900-1940)\u003C/em>, Castello, Libreria Musicale Italiana, 2005.\u003C/li>\u003Cli>CONTI, Luca, \u003Cem>Ultracromatiche sensazioni. Il microtonalismo in Europa (1840-1940)\u003C/em>, Librerio Musicale Italiana, 2008, pp. 135-175.\u003C/li>\u003Cli>CRITON, Pascale, « Continuum, Ultrachromatisme et Multiplicités », in \u003Cem>La Nouvelle Revue Musicale Suisse Dissonanz-Dissonance\u003C/em>, n°42, Zürich, 1994, pp. 4-10.\u003C/li>\u003Cli>CRITON, Pascale, « Continuum sonore et espaces périodiques, la technique ultrachromatique de Wyschnegradsky », dans \u003Cem>Théories de la composition musicale au XXe siècle (Vol1)\u003C/em>, sous la direction de Nicolas Donin et Laurent Feneyrou, coll. 20-21, Lyon, Symétrie, 2012.\u003C/li>\u003Cli>GAYDEN, Lucile, \u003Cem>Ivan Wyschnegradsky\u003C/em>, Peters, Francfort, 1973.\u003C/li>\u003Cli>HAAS, Georg Friedrich, « \u003Cem>Arc-en-ciel\u003C/em>, op 37. Ivan Wyschnegradskys behutsame Annäherung an das Zwölfteltointervall », in \u003Cem>Mikrotöne IV\u003C/em>, Munich, 1993, pp. 79-92.\u003C/li>\u003Cli>HAAS, Georg Friedrich, « Die Verwirklichung einer Utopie : Ultrachromatik und nicht-oktavierende Tonräume » in « Ivan Wyschnegradskys mikrotonalen Kompositionen », in \u003Cem>Harmonie im 20\u003C/em>. \u003Cem>Jahrundert\u003C/em>. Vienne, 1993, pp. 87-100.\u003C/li>\u003Cli>JEDRZEJEWSKY, Frank, Postface à Ivan Wyschnegradsky, \u003Cem>La loi de la pansonorité\u003C/em>, Contrechamps, Genève, 1996, pp. 285-290.\u003C/li>\u003Cli>JEDRZEJEWSKY, Frank, \u003Cem>Dictionnaire des Musiques Microtonales\u003C/em>, Paris, L’Harmattan, 2003.\u003C/li>\u003Cli>LEROUX, Philippe, « Analyse des Intégrations op. 49 » in \u003Cem>Premier Cahier Ivan Wyschnegradsky\u003C/em> (Association Ivan Wyschnegradsky), Paris, 1985, pp. 87-101.\u003C/li>\u003Cli>NIGG, Serge, « Visiblement inspire par le ciel », in \u003Cem>Premier Cahier Ivan Wyschnegradsky\u003C/em>, (Association Ivan Wyschnegradsky), Paris, 1985, p.136.\u003C/li>\u003Cli>POLDIAEVA, Elena, \u003Cem>Le message de Nicolas Obouhow. Reconstruction d’une biographie\u003C/em>, Paris, Van de Velde, 2006.\u003C/li>\u003Cli>READ, Gardner, « Twentieth Centutry Microtonal Notation », \u003Cem>Contributions to the Study of Music and Dance\u003C/em>, 18, New-York, Greenwood Press, 1990.\u003C/li>\u003Cli>SCHLOEZER, Boris de, \u003Cem>La musique\u003C/em>, Paris, Fontaine, juin 1946.\u003C/li>\u003Cli>VYSLOUZIL, Jiri, « Ivan Vyschnegradskij, Kapitolaze zapomenutych hudenich avangard », in \u003Cem>Opus Musicum I\u003C/em>, Brno, 1969, pp. 30-40.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"discographie-s-lective\">Discographie sélective\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>Quatrième fragment symphonique Op. 38c\u003C/em> ; \u003Cem>Ainsi parlait Zarathoustra Op. 17\u003C/em> ; *Méditation sur deux thèmes de la Journée de l'Existence Op. *7, Cécile Lartigau : ondes Martenot, Martine Joste : piano, Noé Natorp : violoncelle, \u003Cem>et al.\u003C/em>, dans « Pianos Quart de Ton », avec des œuvres d'Alain Moëne et Alain Bancquart, 1 Cd Shiiin, 2018, shiiin 10.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « La Journée de l'Existence », Mario Haniotis : voix, Nouvel Orchestre Philharmonique de Radio-France, Alexandre Myrat : direction, 1 Cd Shiiin, 2009, shiiin 4.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, \u003Cem>Deux Préludes pour piano Op. 2\u003C/em> ; \u003Cem>Etude sur le Carré Magique Sonore Op. 40\u003C/em>, Thomas Günther : piano, dans « Klavierwerke Um den Russischen Futurismus Vol. 1 », 1 SACD Cybele, 2009, Cybele SACD 160.404.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Étude sur les Mouvements Rotatoires - 24 Préludes », Martine Joste, Sylvaine Billier, Fuminori Tanada, Gérard Frémy : piano, 1 Cd Col Legno, 2002, WWE 1CD 20206.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Acte Choreographique Opus 27 », 1 Cd Mikroton, 1999.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, Étude Sur Les Mouvements Rotatoires ; Sonate Op. 34 ; Dialogue Op. Posth. ; Études Sur Les Densités Et les Volumes, I & II ; Deux Chants Sur Nietzsche ; Dithyrambe, 1 Cd 2e2m, 1995, 2e2m 1001.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Compositions for String Quartet and String Trio », Arditti String Quartet, 1 Cd Edition Block, 1990, EB 201.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Music for Three Pianos in Sixths of Tones », François Couture, Louis-Philippe Pelletier, Paul Helmer : pianos, Bruce Mather : direction, 1 vinyle McGill University Records, 1985, 83017.\u003C/li>\u003Cli>WYSCHNEGRADSKY, Ivan, « Vierteltonmusik ; Musique à Quarts De Ton ; Quarter Tone Music », 2 vinyles Edition Block, 1983, EB 107/8.\u003C/li>\u003C/ul>\n","",{"getUrl":35},"https://storage.ressources.ircam.fr/ressources/persons/photos/8c7d338e-b23d-4e42-88cd-e0d1279407f5-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20251001%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20251001T175303Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=0539eb9fc17837d9475683e95d12b693bdcdefc357346b03f6b211faae31d1b1","René Block","ivan-wyschnegradsky",false,"COMPOSER",true,[42,54,65,76,86,98,110,120,130,141,148,156,162,171,183,190,199,205,211,219,229,236,246,254,267,277,288,298,303,308,319,325,332,338,344,349,355,364,372,382,390,398,406,412,417,422,428,437,444,449,454,464,471,477,483,491,497,504,510,516,524,530,540,545,552,561,567,573,582,588,594,601,610,614,620,629,633,639,649,655,663,667,674,680,684,688,693,698,704,711,717,724],{"id":43,"slug":44,"title":45,"duration":46,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":48,"descriptionEn":49,"cardDescription":48,"style":50,"styleEn":51,"editor":52,"tags":53},"e8f28634-8ff7-4dd5-9177-81859f1443ea","chant-nocturne","Chant nocturne",10,"1927-01-01T00:00:00.000Z","pour violon écrit en demi, quarts, sixièmes et huitièmes de ton et deux pianos accordés à distance d’un quart de ton","for violin and two pianos at 1/4 tone","Musique de chambre (Autre trio clavier et cordes)","Chamber music (Other keyboard and string trio)","Inédit",[],{"id":55,"slug":56,"title":57,"duration":58,"publishingStartDate":59,"publishingEndDate":59,"descriptionFr":60,"descriptionEn":61,"cardDescription":60,"style":62,"styleEn":63,"editor":52,"tags":64},"8aff6bac-4e9b-4990-afbf-c3fa0f791c41","composition-ii","Composition II",4,"1962-01-01T00:00:00.000Z","pour deux pianos à 1/4 de ton","for two pianos at 1/4th of a tone","Musique de chambre (Duo de claviers)","Chamber music (Keyboard duo)",[],{"id":66,"slug":67,"title":68,"duration":69,"publishingStartDate":70,"publishingEndDate":70,"descriptionFr":71,"descriptionEn":72,"cardDescription":71,"style":73,"styleEn":74,"editor":52,"tags":75},"b2539c46-deed-4b32-8c83-038ea1f7a60d","arc-en-ciel-1","Arc-en-ciel",9,"1956-01-01T00:00:00.000Z","pour six pianos accordés à distance d’un douzième de ton","for six pianos, tuned a twelfth-tone apart","Musique de chambre (Sextuor et plus de claviers)","Chamber music (6 or more keyboards)",[],{"id":77,"slug":78,"title":79,"duration":46,"publishingStartDate":80,"publishingEndDate":47,"descriptionFr":81,"descriptionEn":82,"cardDescription":81,"style":83,"styleEn":84,"editor":52,"tags":85},"c8f43ee8-2bd0-4b2f-81cf-6e1c6f4814f4","deux-choeurs","Deux choeurs","1926-01-01T00:00:00.000Z","pour choeur mixte, quatre pianos à 1/4 de ton et percussion","for mixed choir, four pianos in 1/4th of a tone and percussion","Musique vocale et instrument(s) (Musique vocale et instrument(s))","Vocal music and instrument(s) (Vocal music and instrument(s))",[],{"id":87,"slug":88,"title":89,"duration":90,"publishingStartDate":91,"publishingEndDate":91,"descriptionFr":92,"descriptionEn":93,"cardDescription":92,"style":94,"styleEn":95,"editor":96,"tags":97},"6665899b-e659-4e7d-a411-903eafc50323","deux-preludes","Deux préludes",3,"1916-01-01T00:00:00.000Z","pour piano","for piano","Musique soliste (sauf voix) (Piano solo)","Solo (excluding voice) (Solo piano)","Belaieff",[],{"id":99,"slug":100,"title":101,"duration":102,"publishingStartDate":103,"publishingEndDate":104,"descriptionFr":105,"descriptionEn":106,"cardDescription":105,"style":107,"styleEn":108,"editor":96,"tags":109},"de999883-dc38-4dca-bb33-e1631809d4b9","cosmos","Cosmos",15,"1939-01-01T00:00:00.000Z","1940-01-01T00:00:00.000Z","pour quatre pianos accordés deux à deux à distance d’un quart de ton","for four pianos at 1/4th of a tone","Musique de chambre (Quatuor de claviers)","Chamber music (Keyboard quartet)",[],{"id":111,"slug":112,"title":113,"duration":58,"publishingStartDate":114,"publishingEndDate":114,"descriptionFr":115,"descriptionEn":116,"cardDescription":115,"style":117,"styleEn":118,"editor":52,"tags":119},"fb418e9e-8844-4942-bcf1-1b8adb83e927","etude-ultrachromatique","Etude ultrachromatique","1959-01-01T00:00:00.000Z","pour l'orgue tricesimoprimal du professeur Adriaan Fokker (accordé en 31e d'octave)","for the tricesimoprimal organ by Professor Adriaan Fokker (tuned in 31st octave)","Musique soliste (sauf voix) (Orgue)","Solo (excluding voice) (Organ)",[],{"id":121,"slug":122,"title":123,"duration":124,"publishingStartDate":11,"publishingEndDate":11,"descriptionFr":125,"descriptionEn":126,"cardDescription":125,"style":127,"styleEn":128,"editor":52,"tags":129},"589291f0-c580-4858-829b-06aea86dd62e","deux-meditations-(s.d.)","Deux méditations (s.d.)",5,"pour trois pianos à 1/6e de ton","for three pianos at 1/6th of a tone","Musique de chambre (Trio de claviers)","Chamber music (Keyboard trio)",[],{"id":131,"slug":132,"title":133,"duration":134,"publishingStartDate":135,"publishingEndDate":135,"descriptionFr":136,"descriptionEn":137,"cardDescription":136,"style":138,"styleEn":139,"editor":52,"tags":140},"90160e81-7260-45e5-b669-fddf45dc63ec","le-scintillement-lointain-des-etoiles","Le scintillement lointain des étoiles",1,"1918-01-01T00:00:00.000Z","pour soprano et piano","for soprano and piano","Musique vocale et instrument(s) (Soprano et piano)","Vocal music and instrument(s) (Soprano and piano)",[],{"id":142,"slug":143,"title":144,"duration":145,"publishingStartDate":146,"publishingEndDate":146,"descriptionFr":60,"descriptionEn":61,"cardDescription":60,"style":62,"styleEn":63,"editor":52,"tags":147},"447a3227-2e5c-4ff8-bff5-a445b9f14628","dialogue-a-deux","Dialogue à deux",8,"1958-01-01T00:00:00.000Z",[],{"id":149,"slug":150,"title":151,"duration":152,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":153,"descriptionEn":154,"cardDescription":153,"style":94,"styleEn":95,"editor":52,"tags":155},"f0c9a96f-235f-4672-94f3-9c84c44f1b05","ein-stuck","Ein stück",0,"pour piano à 1/4 de ton","for 1/4 tone piano",[],{"id":157,"slug":158,"title":159,"duration":152,"publishingStartDate":11,"publishingEndDate":11,"descriptionFr":153,"descriptionEn":154,"cardDescription":153,"style":33,"styleEn":33,"editor":160,"tags":161},"9dd667c4-f66d-4ab7-985a-b2a90085cb7f","epigrammen","Epigrammen","pas d'éditeur",[],{"id":163,"slug":164,"title":165,"duration":166,"publishingStartDate":167,"publishingEndDate":167,"descriptionFr":168,"descriptionEn":169,"cardDescription":168,"style":62,"styleEn":63,"editor":96,"tags":170},"01bc668d-2a93-4781-8af2-3b4418965f27","etude-sur-les-mouvements-rotatoires","Etude sur les mouvements rotatoires",7,"1961-01-01T00:00:00.000Z","pour deux pianos à 1/4 de ton, huit mains","for two pianos at 1/4th of a tone, eight hands",[],{"id":172,"slug":173,"title":174,"duration":175,"publishingStartDate":135,"publishingEndDate":176,"descriptionFr":177,"descriptionEn":178,"cardDescription":177,"style":179,"styleEn":180,"editor":181,"tags":182},"4f9639a4-1cd4-4d5e-96a5-85d349b39cac","meditation-sur-deux-themes-de-la-journee-de-l'existence","Méditation sur deux thèmes de la Journée de l'Existence",6,"1919-01-01T00:00:00.000Z","violoncelle écrit en demi, tiers, quarts et sixièmes de ton et piano en demi-tons","for cello and piano","Musique de chambre (Duo piano et violoncelle)","Chamber music (Piano and cello duo)","Jobert",[],{"id":184,"slug":185,"title":186,"duration":69,"publishingStartDate":187,"publishingEndDate":187,"descriptionFr":188,"descriptionEn":93,"cardDescription":188,"style":94,"styleEn":95,"editor":96,"tags":189},"91746b6a-648f-4ea3-a625-baea2a23b738","etude-sur-le-carre-magique-sonore","Etude sur le carré magique sonore","1957-01-01T00:00:00.000Z","pour piano en demi-tons",[],{"id":191,"slug":192,"title":165,"duration":145,"publishingStartDate":193,"publishingEndDate":193,"descriptionFr":194,"descriptionEn":195,"cardDescription":194,"style":196,"styleEn":197,"editor":52,"tags":198},"b7185a4e-2b06-4bd9-92bb-9a9b0b6bfa80","etude-sur-les-mouvements-rotatoires-1","1967-01-01T00:00:00.000Z","pour trois pianos en 1/6e de ton, ondes Martenot, chœur mixte et orchestre","for three pianos in 1/6th of a tone, ondes Martenot, mixed choir and orchestra","Musique vocale et instrument(s) (Instrument(s) soliste(s), chœur(s) et ensemble)","Vocal music and instrument(s) (Solo instrument(s), choir(s) and ensemble)",[],{"id":200,"slug":201,"title":202,"duration":69,"publishingStartDate":70,"publishingEndDate":70,"descriptionFr":203,"descriptionEn":61,"cardDescription":203,"style":62,"styleEn":63,"editor":52,"tags":204},"59193a6c-5a18-4d9f-b947-104b7599aed8","deux-etudes-sur-les-densites-et-les-volumes","Deux Etudes sur les densités et les volumes","pour deux pianos accordés à distance d’un quart de ton",[],{"id":206,"slug":207,"title":208,"duration":209,"publishingStartDate":135,"publishingEndDate":135,"descriptionFr":188,"descriptionEn":93,"cardDescription":188,"style":94,"styleEn":95,"editor":52,"tags":210},"a603f3aa-5ea9-4971-9537-9d556a7b241a","quatre-fragments","Quatre fragments",2,[],{"id":212,"slug":213,"title":214,"duration":69,"publishingStartDate":215,"publishingEndDate":215,"descriptionFr":216,"descriptionEn":217,"cardDescription":216,"style":127,"styleEn":128,"editor":52,"tags":218},"03bee8a8-5f80-4e36-8b26-2d0f6b58f73f","transparences-i","Transparences I","1953-01-01T00:00:00.000Z","pour ondes Martenot et deux pianos accordés à distance d’un quart de ton","for ondes Martenot and two pianos in 1/4th of a tone",[],{"id":220,"slug":221,"title":222,"duration":223,"publishingStartDate":224,"publishingEndDate":225,"descriptionFr":226,"descriptionEn":227,"cardDescription":226,"style":83,"styleEn":84,"editor":52,"tags":228},"d1789a9d-2fe4-4c18-9f21-439ed0861dc3","l'eternel-etranger-(5-episodes-de-la-vie-d'un-artiste)","L'Eternel Etranger (5 épisodes de la vie d'un artiste)",60,"1942-01-01T00:00:00.000Z","1960-01-01T00:00:00.000Z","pour quatre pianos à 1/4 de ton, percussion, solistes et choeur mixte (orchestration inachevée).","for four pianos in 1/4th of a tone, percussion, soloists and mixed choir",[],{"id":230,"slug":231,"title":232,"duration":46,"publishingStartDate":233,"publishingEndDate":233,"descriptionFr":125,"descriptionEn":234,"cardDescription":125,"style":127,"styleEn":128,"editor":52,"tags":235},"5caa569a-3f88-44d8-8c7c-f93081ac7f02","prelude-et-fugue-2","Prélude et fugue","1945-01-01T00:00:00.000Z","for three 1/6 tone pianos",[],{"id":237,"slug":238,"title":239,"duration":240,"publishingStartDate":241,"publishingEndDate":242,"descriptionFr":11,"descriptionEn":11,"cardDescription":33,"style":243,"styleEn":244,"editor":52,"tags":245},"5becf409-485f-4807-b243-454fa0b11a47","quatuor-a-cordes-n1-7","Quatuor à cordes n°1",14,"1923-01-01T00:00:00.000Z","1924-01-01T00:00:00.000Z","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)",[],{"id":247,"slug":248,"title":249,"duration":250,"publishingStartDate":135,"publishingEndDate":251,"descriptionFr":60,"descriptionEn":252,"cardDescription":60,"style":62,"styleEn":63,"editor":52,"tags":253},"e4f29599-8286-4b11-95a1-ff90c1da6c59","sept-variations-sur-la-note-do","Sept variations sur la note do",12,"1920-01-01T00:00:00.000Z","for two pianos at 1/4 tone",[],{"id":255,"slug":256,"title":257,"duration":258,"publishingStartDate":259,"publishingEndDate":260,"descriptionFr":261,"descriptionEn":262,"cardDescription":261,"style":263,"styleEn":264,"editor":265,"tags":266},"07a875f9-a704-46b8-b541-9020898295e4","trio-a-cordes-11","Trio à cordes",11,"1978-01-01T00:00:00.000Z","1979-01-01T00:00:00.000Z","révisé et achevé par Claude Ballif d’après la Composition pour trois Ondes Martenot","revised and completed by Claude Ballif after the Composition for three Ondes Martenot","Musique de chambre (Trio violon, alto, violoncelle)","Chamber music (Violin, viola and cello trio)","Radio-France",[],{"id":268,"slug":269,"title":270,"duration":58,"publishingStartDate":271,"publishingEndDate":271,"descriptionFr":272,"descriptionEn":273,"cardDescription":272,"style":274,"styleEn":275,"editor":52,"tags":276},"dc3b5002-c80c-41cc-8dc7-d2c4536bc572","a-richard-wagner","A Richard Wagner","1934-01-01T00:00:00.000Z","pour baryton basse et deux pianos à 1/4 de ton","for bass baritone and two 1/4 tone pianos","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[],{"id":278,"slug":279,"title":280,"duration":152,"publishingStartDate":281,"publishingEndDate":281,"descriptionFr":282,"descriptionEn":283,"cardDescription":282,"style":284,"styleEn":285,"editor":286,"tags":287},"72e9664b-2e6d-4b67-bae4-8d6ad8a87766","andante-religioso-et-funebre","Andante religioso et funèbre","1912-01-01T00:00:00.000Z","pour orchestre","for orchestra","Musique instrumentale d'ensemble (Musique orchestrale)","Instrumental ensemble music (Orchestral music)","partition perdue",[],{"id":289,"slug":290,"title":291,"duration":166,"publishingStartDate":135,"publishingEndDate":135,"descriptionFr":292,"descriptionEn":293,"cardDescription":292,"style":294,"styleEn":295,"editor":296,"tags":297},"dc568036-3255-4f84-9da1-20e2dcf0ce6b","chant-douloureux-et-etude","Chant douloureux et étude","pour violon écrit en demi, tiers, quarts et sixièmes de ton, et piano en demi-tons","for violin written in semitones, thirds, fourths and sixths of a tone, and piano in semitones","Musique de chambre (Duo piano et violon)","Chamber music (Piano and violin duo)","Jobert - Lemoine",[],{"id":299,"slug":300,"title":301,"duration":124,"publishingStartDate":167,"publishingEndDate":167,"descriptionFr":125,"descriptionEn":126,"cardDescription":125,"style":127,"styleEn":128,"editor":52,"tags":302},"9cdac6e8-990a-4ca8-80b6-a5878a34a189","composition-i","Composition I",[],{"id":304,"slug":305,"title":306,"duration":69,"publishingStartDate":271,"publishingEndDate":271,"descriptionFr":60,"descriptionEn":61,"cardDescription":60,"style":62,"styleEn":63,"editor":52,"tags":307},"47182989-94bb-4445-8359-acf09d5b1c2b","deux-pieces","Deux pièces",[],{"id":309,"slug":310,"title":311,"duration":312,"publishingStartDate":313,"publishingEndDate":313,"descriptionFr":314,"descriptionEn":315,"cardDescription":314,"style":316,"styleEn":317,"editor":52,"tags":318},"f5878c07-6a32-4210-9c51-53e10fa7a968","deuxieme-fragment-symphonique","Deuxième fragment symphonique",13,"1937-01-01T00:00:00.000Z","pour quatre pianos accordés deux à deux à distance d’un quart de ton, plus percussion ad libitum","for four pianos in 1/4th of a tone, timpani and drum kit","Musique de chambre (Sextuor et plus)","Chamber music (Sextet and larger ensembles)",[],{"id":320,"slug":321,"title":322,"duration":58,"publishingStartDate":215,"publishingEndDate":215,"descriptionFr":323,"descriptionEn":137,"cardDescription":323,"style":138,"styleEn":139,"editor":52,"tags":324},"5843a38b-6665-4147-a2a3-ae6e00c2bc98","le-mot","Le mot","pour soprano et piano en demi-tons",[],{"id":326,"slug":327,"title":328,"duration":312,"publishingStartDate":313,"publishingEndDate":313,"descriptionFr":329,"descriptionEn":330,"cardDescription":329,"style":83,"styleEn":84,"editor":52,"tags":331},"d3df1eb6-79a6-4d9d-ae94-063eef803cd0","linnite-mimodrame-en-1-acte-et-5-tableaux","Linnite, mimodrame en 1 acte et 5 tableaux","pour trois voix de femmes, quatre pianos à 1/4 de ton","for three female voices, four pianos at 1/4th of a tone",[],{"id":333,"slug":334,"title":335,"duration":336,"publishingStartDate":271,"publishingEndDate":271,"descriptionFr":60,"descriptionEn":252,"cardDescription":60,"style":62,"styleEn":63,"editor":96,"tags":337},"902d597b-992a-433b-b721-bc4a18e42c9d","vingt-quatre-preludes-dans-tous-les-tons-de-l'echelle-chromatique-diatonisee-a-13-sons","Vingt-quatre préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons",42,[],{"id":339,"slug":340,"title":341,"duration":69,"publishingStartDate":313,"publishingEndDate":313,"descriptionFr":60,"descriptionEn":342,"cardDescription":60,"style":62,"styleEn":63,"editor":52,"tags":343},"6f8f7201-bf38-4fbf-8161-6f3cc2ebd2b4","poeme-1","Poème","for two 1/4 tone pianos",[],{"id":345,"slug":346,"title":232,"duration":145,"publishingStartDate":47,"publishingEndDate":47,"descriptionFr":347,"descriptionEn":154,"cardDescription":347,"style":94,"styleEn":95,"editor":52,"tags":348},"9255dea1-72f7-4f7c-a759-e7f782b24c2a","prelude-et-fugue-1","pour piano en 1/4 de ton",[],{"id":350,"slug":351,"title":352,"duration":250,"publishingStartDate":59,"publishingEndDate":59,"descriptionFr":353,"descriptionEn":217,"cardDescription":353,"style":127,"styleEn":128,"editor":52,"tags":354},"a6902877-75e5-43be-b21b-b6e277d63ec3","transparences-ii","Transparences II","pour ondes Martenot et deux pianos à 1/4 de ton",[],{"id":356,"slug":357,"title":358,"duration":250,"publishingStartDate":241,"publishingEndDate":241,"descriptionFr":359,"descriptionEn":360,"cardDescription":359,"style":361,"styleEn":362,"editor":52,"tags":363},"12a6f525-4135-4d8b-8f13-fff290b8c4cd","deux-chants-sur-nietzsche","Deux chants sur Nietzsche","baryton basse et piano(s)","for bass baritone and one or more pianos","Musique vocale et instrument(s) (Baryton et piano)","Vocal music and instrument(s) (Baritone and piano)",[],{"id":365,"slug":366,"title":367,"duration":145,"publishingStartDate":368,"publishingEndDate":368,"descriptionFr":203,"descriptionEn":61,"cardDescription":203,"style":369,"styleEn":370,"editor":52,"tags":371},"b66cd2ce-33dc-4360-ba77-c32d7dca17fe","deux-fugues","Deux fugues","1950-01-01T00:00:00.000Z","Musique de chambre (Duo de pianos)","Chamber music (Piano duo)",[],{"id":373,"slug":374,"title":375,"duration":376,"publishingStartDate":313,"publishingEndDate":104,"descriptionFr":377,"descriptionEn":378,"cardDescription":377,"style":379,"styleEn":380,"editor":52,"tags":381},"9bb73a31-f4a1-48e3-af22-ede6e3e34487","acte-choregraphique","Acte chorégraphique",32,"en deux parties avec Prologue, Intermède et Epilogue, pour baryton basse, choeur mixte, 4 pianos à 1/4 de ton, percussions et instruments ad libitum","in two parts with Prologue, Intermède and Epilogue, for bass baritone, mixed choir, 4 pianos at 1/4 tone, percussions and instruments ad libitum","Musique vocale et instrument(s) (Voix et/ou chœur(s), instrument(s) soliste(s) et ensemble/orchestre)","Vocal music and instrument(s) (Voice(s) and/or choir(s), solo instrument(s) and ensemble/orchestra)",[],{"id":383,"slug":384,"title":385,"duration":175,"publishingStartDate":386,"publishingEndDate":386,"descriptionFr":387,"descriptionEn":388,"cardDescription":387,"style":107,"styleEn":108,"editor":52,"tags":389},"e3762462-8f23-4174-96c6-580a8dec423a","composition-pour-quatuor-d'ondes-martenot","Composition pour quatuor d'ondes Martenot","1963-01-01T00:00:00.000Z","pour 4 ondes Martenot, ou 2 pianos et ondes","for 4 ondes Martenot, or 2 pianos and ondes",[],{"id":391,"slug":392,"title":393,"duration":58,"publishingStartDate":394,"publishingEndDate":394,"descriptionFr":395,"descriptionEn":396,"cardDescription":395,"style":361,"styleEn":362,"editor":96,"tags":397},"919b50a8-b362-4424-b7fb-64ae0ce9277d","l'automne","L'automne","1917-01-01T00:00:00.000Z","pour baryton basse et piano","for bass baritone and piano",[],{"id":399,"slug":400,"title":401,"duration":166,"publishingStartDate":402,"publishingEndDate":402,"descriptionFr":403,"descriptionEn":404,"cardDescription":403,"style":94,"styleEn":95,"editor":52,"tags":405},"28bdb35c-2fc4-48a4-bd57-fa72bfd2d7ab","prelude-et-etude","Prélude et étude","1966-01-01T00:00:00.000Z","pour piano à micro-intervalles de Julian Carrillo en 1/3 de ton","for micro-interval piano by Julian Carrillo in 1/3 tone",[],{"id":407,"slug":408,"title":306,"duration":124,"publishingStartDate":146,"publishingEndDate":146,"descriptionFr":409,"descriptionEn":410,"cardDescription":409,"style":94,"styleEn":95,"editor":52,"tags":411},"bb4d51e5-6400-412f-a7c2-a27efd7a0028","deux-pieces-1","pour les pianos en 1/6e et en 1/12e de ton de Julian Carrillo","for pianos in 1/6th and 1/12th of a tone by Julian Carrillo",[],{"id":413,"slug":414,"title":415,"duration":102,"publishingStartDate":114,"publishingEndDate":114,"descriptionFr":168,"descriptionEn":169,"cardDescription":168,"style":62,"styleEn":63,"editor":52,"tags":416},"0bc8263f-a8ea-4d48-a965-0649dd227619","dialogue-2","Dialogue",[],{"id":418,"slug":419,"title":420,"duration":46,"publishingStartDate":241,"publishingEndDate":242,"descriptionFr":203,"descriptionEn":61,"cardDescription":203,"style":62,"styleEn":63,"editor":52,"tags":421},"bb15dbf0-3461-4100-9746-921c669724b8","dithyrambe","Dithyrambe",[],{"id":423,"slug":424,"title":425,"duration":258,"publishingStartDate":271,"publishingEndDate":426,"descriptionFr":282,"descriptionEn":283,"cardDescription":282,"style":284,"styleEn":285,"editor":52,"tags":427},"d938c804-fdf1-4b37-9a95-c069bb04d868","premier-fragment-symphonique","Premier fragment symphonique","1935-01-01T00:00:00.000Z",[],{"id":429,"slug":430,"title":431,"duration":250,"publishingStartDate":432,"publishingEndDate":433,"descriptionFr":434,"descriptionEn":435,"cardDescription":434,"style":243,"styleEn":244,"editor":52,"tags":436},"fc3792ee-8833-470d-ae47-86392ddb176f","quatuor-a-cordes-n2-7","Quatuor à cordes n°2","1930-01-01T00:00:00.000Z","1931-01-01T00:00:00.000Z","en système de quarts de ton","in quarter-tone system",[],{"id":438,"slug":439,"title":440,"duration":46,"publishingStartDate":233,"publishingEndDate":233,"descriptionFr":441,"descriptionEn":442,"cardDescription":441,"style":50,"styleEn":51,"editor":52,"tags":443},"300abfb7-e465-4c40-a257-cf34e65e6c93","sonate-en-un-mouvement","Sonate en un mouvement","pour alto et deux pianos accordés à distance d’un quart de ton","for viola and two pianos at 1/4 tone",[],{"id":445,"slug":446,"title":447,"duration":58,"publishingStartDate":225,"publishingEndDate":225,"descriptionFr":11,"descriptionEn":11,"cardDescription":33,"style":243,"styleEn":244,"editor":96,"tags":448},"08c45f04-05b9-490b-a2c0-4f31af3fd4aa","composition-pour-quatuor-a-cordes-dans-l'echelle-des-14-de-ton","Composition pour quatuor à cordes dans l'échelle des 1/4 de ton",[],{"id":450,"slug":451,"title":452,"duration":175,"publishingStartDate":433,"publishingEndDate":433,"descriptionFr":203,"descriptionEn":61,"cardDescription":203,"style":62,"styleEn":63,"editor":52,"tags":453},"3037e85d-872c-46c9-a586-d712d4447519","deux-etudes-de-concert","Deux études de concert",[],{"id":455,"slug":456,"title":457,"duration":458,"publishingStartDate":459,"publishingEndDate":432,"descriptionFr":460,"descriptionEn":461,"cardDescription":460,"style":107,"styleEn":108,"editor":462,"tags":463},"c4f17f3c-e5af-4c27-a49f-c085ce0c7727","ainsi-parlait-zarathoustra","Ainsi parlait Zarathoustra",23,"1929-01-01T00:00:00.000Z","Symphonie en système de quarts de ton pour orchestre de quatre pianos accordés deux à deux à distance d’un quart de ton","Symphony in the quarter-tone system for an orchestra of four pianos tuned two by two at a quarter-tone interval","Editions de l'Oiseau Lyre",[],{"id":465,"slug":466,"title":467,"duration":152,"publishingStartDate":281,"publishingEndDate":281,"descriptionFr":282,"descriptionEn":283,"cardDescription":282,"style":468,"styleEn":469,"editor":286,"tags":470},"176dbdef-462f-472f-82d2-fd47eacd6166","ballade-1","Ballade","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or 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