informations générales

date
19 mars 2024

MyBeeKnows for Ableton Live by Music Unit - Martin Antiphon, Manuel Poletti

MyBeeKnows is a binaural synthesis technology that uses a universal set of HRTFs (Head-Related Transfer Functions) to perform seamless 3D binaural spatialization. MyBeeKnows can process channel-based mono, stereo and multi-channel signals a

20 mars 2024 24 min

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Mode/Scale - Serge Lemouton, Eric Montalbetti

During this presentation, we will demonstrate the software environment (developed using the Bach library) used by Eric Montalbetti to compose in his personal harmonic system. Some musical examples will be played to illustrate this system. L

20 mars 2024 30 min

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Thermophones 5G - Jacques Rémus

5G thermophones For several years I have had the opportunity to present at various IRCAM forums the particularities of my work which focuses on sounds and music produced by remote-controlled or robotic mechanical machines and using vario

20 mars 2024 32 min

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OpenMusic Python Presentation - Carlos Amado Agon, Karim Haddad

20 mars 2024 30 min

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Dicy2 - Jérôme Nika

Dicy2 is both a package for Max and a plugin for Ableton Live implementing interactive agents using machine-learning to generate musical sequences that can be integrated into musical situations ranging from the production of structured mate

20 mars 2024 44 min

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Somax 2.6 and REACH co-creative tools - Marco Fiorini, Mikhail Malt

Somax 2.6 is an application and a library for live co-creative interaction with musicians in improvisation composition or installation scenarios. It is based on a machine listening, reactive engine and generative model that provide styl

20 mars 2024 31 min

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Aurum: Interactive multimodal engagement with sound through cymatics and haptics - Patricia Alessandrini

20 mars 2024 22 min

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Futures of listening : A question upon the ways we listen in the future - Kwangrae Kim, Suk-Jun Kim

ACC Sound Lab is a project led by the National Asian Culture Center(ACC)*, part of an initiative for the research and development of interdisciplinary content. The project focuses on artistic expression through sound, as a medium, producing

20 mars 2024 27 min

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Multichannel sound installation in Bahia - Neil Leonard

This article discusses the multichannel sound installations I created and the exhibition I curated during 2023 residency at the Sacatar Foundation in Bahia, Brazil. My project commemorated the 110th anniversary of artist/mystic Walter Smeta

20 mars 2024 27 min

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Le monde de la musique est-il prêt à faire son entrée dans la troisième dimension du son ? - Table ronde du Centre national de la musique (CNM) - Hervé Dejardin, Maxime Thibault, Hugues Vinet, Cécile DeLaurentis, Chloé Guine

Le monde de la musique est-il prêt à faire son entrée dans la troisième dimension du son ? Alors qu'Apple Music pousse pour l'adoption du Dolby Atmos par l'industrie musicale en promouvant une rémunération supplémentaire pour les labels

20 mars 2024 01 h 10 min

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DAFNE+: Launch of the Platform for the Preservation and Promotion of Experimental Music and Sound Production - Hugues Vinet, Grégory Beller

DAFNE+ Platform is live! https://dafneplus.eng.it A historic moment in the digital art and design landscape is happening with the official launch of DAFNE+ Platform, a cutting-edge NFT platform crafted to push forward the community of a

19 mars 2024 31 min

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Sound Analysis-Synthesis IRCAM Team News - Frederik Bous, Guillaume Doras, Axel Roebel

The ARS modules, are one of the main results of the ANR project ARS (Analysis and tRansformation of Singing Style,http://ars.ircam.fr) These modules integrate three deep neural networks : the RIU Separator, a deep neural network for sing

19 mars 2024 30 min

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Welcome - Hugues Vinet, Paola Palumbo

19 mars 2024 22 min

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Sound Music Movement Interaction IRCAM Team News - Diemo Schwarz

We will present new features of the MuBu for Max framework for multimodal analysis of sound and motion, interactive sound synthesis and machine learning, the CataRT and SKataRT corpus-based synthesis tools for Max and Ableton Live, the Gest

19 mars 2024 28 min

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Sound Systems and Signals: Audio/Acoustics, instruMents (S3AM) IRCAM Team News - Thomas Hélie, Robert Piéchaud, Charles Picasso

In this presentation, we will present news about: 1) Modalys: a sound design example using some latest Lua & finite elements features in Max real time; 2) The Snail: the V3 currently in development, and The Snail Hardware 3) The ATRIM pr

19 mars 2024 33 min

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Focus Taiwan with C-Lab - Ivan Liu, Cécile Huang, Hsieh Hsien-Te

19 mars 2024 28 min

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The R-IoT version 3: State of Development - Emmanuel Fléty

19 mars 2024 29 min

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Acoustic and Cognitive Space IRCAM Team News - Thibault Carpentier

19 mars 2024 25 min

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ASAP and Partials News - Pierre Guillot

19 mars 2024 17 min

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Open Music News - Karim Haddad

19 mars 2024 28 min

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Second Prize

The second prize of 1000 euros is awarded to Martin Heinze for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philipp

22 mars 2024 04 min

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First Prize

The first prize of 2500 euros is awarded to Simon Colton for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philippe

22 mars 2024 06 min

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Presentation of sonicLab - Sinan Bökesoy

Generative audio synthesis is a process where sound is automatically created or modified by a system according to a set of algorithms or rules. This technique involves procedural algorithms driving self evolving soundscapes, audio effects /

22 mars 2024 30 min

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AI, ensemble practice and the sound object as an 'object of thought’: rethinking knowledge distribution between engineering sciences and the arts - Hans Kretz

This practice-based research presentation will draw on examples from my own experience using Somax - an environment developed by the Musical Representation team at IRCAM - in directing and conducting student ensembles in AI-driven co-creat

22 mars 2024 33 min

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Generative Music Award Ceremony - Grégory Beller, Simon Colton, Martin Heinze, Axel Chemla

The Generative Music Prize is an international competition that highlights the creative potential of music generated with algorithms. This first edition is organized by IRCAM to mark the 30th anniversary of the IRCAM Forum. The first pr

22 mars 2024 27 min

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Third prize

The third prize of 500 euros is awarded to Axel Chemla--Romeu-Santos for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndo

22 mars 2024 05 min

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ircamamplify.io: IRCAM's best technology via API, for a sound web, a technical demonstration of the range of possibilities - Frederic Amadu, Baptiste Vericel, Romain Simiand

The team will be presenting the API platform which, using seemingly simple technologies, makes IRCAM expertise accessible to all creators and industrialists. Launched in November 2023, the ircamamplify.io platform now has around 20 building

22 mars 2024 30 min

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Launch of Combobulator - Ben Cantil, Martin Parker

22 mars 2024 44 min

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Presentation of Noise Makers - Charles Verron

This talk will present 3D audio technologies developed at Noise Makers for post-production and immersive experiences. After a brief introduction on binaural, ambisonics and auralization, practical use cases will be demonstrated through t

22 mars 2024 28 min

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'What’s in a name?' IRCAM, MPEG-7, and the Standardization of Audio Description - Landon Morrison

From 2000-03, a team of IRCAM researchers led the CUIDADO Project, working with an international assembly of academic, corporate, and governmental actors to establish an industry standard for describing audio content in digital applications

22 mars 2024 30 min

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Generative Music Roundtable - Grégory Beller, Antoine Caillon, Philippe Esling, Miller Puckette, Antònia Folguera Bañeres, Catherine Stewart

22 mars 2024 01 h 04 min

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Making Electronic Music Inclusive: A Virtual Studio for Visually Impaired Composers - Joseph Butch Rovan

Current tools for composing with interactive technologies are not accessible to visually impaired composers – graphical patching paradigms have made them user-friendly but ultimately user-hostile for the blind. This presentation addresses t

21 mars 2024 38 min

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Talk software - Miller Puckette, David Zicarelli

21 mars 2024 53 min

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News from Anemond studio - Juan José Burred

Anemond is a music sofware studio based in Paris, founded by independent researcher J.J. Burred. Anemond develops and distributes Factorsynth (partner software of the IRCAM Forum) and Factoid, two tools that deconstruct sounds into componen

21 mars 2024 27 min

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<i>Invocations / Arias</i> for Soprano and Video and Live Electronics - Aldo Rodriguez, Nadia Lamadrid

Invocation comes from the Latin word "invocate", meaning "to call", "to demand". It is a supplication either to God or to a divinity, saint, spiritual being or demons. Invocations are part of human nature to contact these ethereal beings

21 mars 2024 31 min

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Xinghai Conservatory presentation with Marco Bidin and his students - Marco Bidin, Yizhong Zheng, Xiongwen Xiao, Yuan Bin, Zichong Wang

Presentations and demo-performances by students of the Electronic Instrument Engineering, Xinghai Conservatory of Music Zheng Yizhong Kontakt flute sound samples This sound sampling source originates from a traditional Chinese musica

21 mars 2024 39 min

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Package Max 'rr' - Jonathan Pitkin

rr is a new Max Package consisting of a small collection of patchers designed to facilitate the generation of sequences of MIDI notes and control change messages characterized by various degrees of randomization and/or by transitions betwee

21 mars 2024 35 min

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Forum’s 30th anniversary Rountable - Grégory Beller, Arshia Cont, Vincent Puig, Hugues Vinet, Paola Palumbo

For this anniversary edition, this panel gathers former and current managers of the IRCAM Forum. We’ll come back to the origins of the Forum and its main evolutions over these 3 decades in order to share a reflection on its current situatio

21 mars 2024 01 h 28 min

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