MyBeeKnows is a binaural synthesis technology that uses a universal set of HRTFs (Head-Related Transfer Functions) to perform seamless 3D binaural spatialization. MyBeeKnows can process channel-based mono, stereo and multi-channel signals a
20 mars 2024 24 min
During this presentation, we will demonstrate the software environment (developed using the Bach library) used by Eric Montalbetti to compose in his personal harmonic system. Some musical examples will be played to illustrate this system. L
20 mars 2024 30 min
5G thermophones For several years I have had the opportunity to present at various IRCAM forums the particularities of my work which focuses on sounds and music produced by remote-controlled or robotic mechanical machines and using vario
20 mars 2024 32 min
20 mars 2024 30 min
Dicy2 is both a package for Max and a plugin for Ableton Live implementing interactive agents using machine-learning to generate musical sequences that can be integrated into musical situations ranging from the production of structured mate
20 mars 2024 44 min
Somax 2.6 is an application and a library for live co-creative interaction with musicians in improvisation composition or installation scenarios. It is based on a machine listening, reactive engine and generative model that provide styl
20 mars 2024 31 min
20 mars 2024 22 min
ACC Sound Lab is a project led by the National Asian Culture Center(ACC)*, part of an initiative for the research and development of interdisciplinary content. The project focuses on artistic expression through sound, as a medium, producing
20 mars 2024 27 min
This article discusses the multichannel sound installations I created and the exhibition I curated during 2023 residency at the Sacatar Foundation in Bahia, Brazil. My project commemorated the 110th anniversary of artist/mystic Walter Smeta
20 mars 2024 27 min
Le monde de la musique est-il prêt à faire son entrée dans la troisième dimension du son ? Alors qu'Apple Music pousse pour l'adoption du Dolby Atmos par l'industrie musicale en promouvant une rémunération supplémentaire pour les labels
20 mars 2024 01 h 10 min
DAFNE+ Platform is live! https://dafneplus.eng.it A historic moment in the digital art and design landscape is happening with the official launch of DAFNE+ Platform, a cutting-edge NFT platform crafted to push forward the community of a
19 mars 2024 31 min
The ARS modules, are one of the main results of the ANR project ARS (Analysis and tRansformation of Singing Style,http://ars.ircam.fr) These modules integrate three deep neural networks : the RIU Separator, a deep neural network for sing
19 mars 2024 30 min
19 mars 2024 22 min
We will present new features of the MuBu for Max framework for multimodal analysis of sound and motion, interactive sound synthesis and machine learning, the CataRT and SKataRT corpus-based synthesis tools for Max and Ableton Live, the Gest
19 mars 2024 28 min
In this presentation, we will present news about: 1) Modalys: a sound design example using some latest Lua & finite elements features in Max real time; 2) The Snail: the V3 currently in development, and The Snail Hardware 3) The ATRIM pr
19 mars 2024 33 min
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19 mars 2024 28 min
The second prize of 1000 euros is awarded to Martin Heinze for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philipp
22 mars 2024 04 min
The first prize of 2500 euros is awarded to Simon Colton for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndon, Philippe
22 mars 2024 06 min
Generative audio synthesis is a process where sound is automatically created or modified by a system according to a set of algorithms or rules. This technique involves procedural algorithms driving self evolving soundscapes, audio effects /
22 mars 2024 30 min
This practice-based research presentation will draw on examples from my own experience using Somax - an environment developed by the Musical Representation team at IRCAM - in directing and conducting student ensembles in AI-driven co-creat
22 mars 2024 33 min
The Generative Music Prize is an international competition that highlights the creative potential of music generated with algorithms. This first edition is organized by IRCAM to mark the 30th anniversary of the IRCAM Forum. The first pr
22 mars 2024 27 min
The third prize of 500 euros is awarded to Axel Chemla--Romeu-Santos for his achievements in the field of generative music, by an international jury composed of Agoria, Greg Beller, Berrak Nil Boya, Andrea Faroppa, Georg Hajdu, Holly Herndo
22 mars 2024 05 min
The team will be presenting the API platform which, using seemingly simple technologies, makes IRCAM expertise accessible to all creators and industrialists. Launched in November 2023, the ircamamplify.io platform now has around 20 building
22 mars 2024 30 min
22 mars 2024 44 min
This talk will present 3D audio technologies developed at Noise Makers for post-production and immersive experiences. After a brief introduction on binaural, ambisonics and auralization, practical use cases will be demonstrated through t
22 mars 2024 28 min
From 2000-03, a team of IRCAM researchers led the CUIDADO Project, working with an international assembly of academic, corporate, and governmental actors to establish an industry standard for describing audio content in digital applications
22 mars 2024 30 min
22 mars 2024 01 h 04 min
Current tools for composing with interactive technologies are not accessible to visually impaired composers – graphical patching paradigms have made them user-friendly but ultimately user-hostile for the blind. This presentation addresses t
21 mars 2024 38 min
21 mars 2024 53 min
Anemond is a music sofware studio based in Paris, founded by independent researcher J.J. Burred. Anemond develops and distributes Factorsynth (partner software of the IRCAM Forum) and Factoid, two tools that deconstruct sounds into componen
21 mars 2024 27 min
Invocation comes from the Latin word "invocate", meaning "to call", "to demand". It is a supplication either to God or to a divinity, saint, spiritual being or demons. Invocations are part of human nature to contact these ethereal beings
21 mars 2024 31 min
Presentations and demo-performances by students of the Electronic Instrument Engineering, Xinghai Conservatory of Music Zheng Yizhong Kontakt flute sound samples This sound sampling source originates from a traditional Chinese musica
21 mars 2024 39 min
rr is a new Max Package consisting of a small collection of patchers designed to facilitate the generation of sequences of MIDI notes and control change messages characterized by various degrees of randomization and/or by transitions betwee
21 mars 2024 35 min
For this anniversary edition, this panel gathers former and current managers of the IRCAM Forum. We’ll come back to the origins of the Forum and its main evolutions over these 3 decades in order to share a reflection on its current situatio
21 mars 2024 01 h 28 min
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